A Quote by Louis Kronenberger

In art, there are tears that do often lie too deep for thoughts. — © Louis Kronenberger
In art, there are tears that do often lie too deep for thoughts.
To me the meanest flower that blows can give thoughts that do often lie too deep for tears.
Despite what Wordsworth says about thoughts that 'lie too deep for tears', I think tears are a pretty reliable indication of being in the grips of a profound experience.
In art there are tears that lie too deep for thought.
Memory is a capricious and arbitrary creature. You never can tell what pebble she will pick up from the shore of life to keep among her treasures, or what inconspicuous flower of the field she will preserve as the symbol of "thoughts that do often lie too deep for tears." . . . And yet I do not doubt that the most Important things are always the best remembered.
The clouds that gather round the setting sun do take a sober colouring from an eye that hath kept watch o'er man's mortality; another race hath been, and other palms are won. Thanks to the human heart by which we live, thanks to its tenderness, its joys, and fears, to me the meanest flower that blows can give thoughts that do often lie too deep for tears.
The mingled incentives which lead to action are often too subtle and lie too deep for us to analyze.
But aesthetics is not religion, and the origins of religion lie somewhere completely different. They lie anyway, these roses smell too sweet and the deep roar of the breaking waves is too splendid, to do justice to such weighty matters now.
Too often, feelings arrive too soon, waiting for thoughts that often come too late.
The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature.
The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared. Sympathies that lie too deep for words, too deep almost for thoughts, are touched, at such times, by other charms than those which the senses feel and which the resources of expression can realise. The mystery which underlies the beauty of women is never raised above the reach of all expression until it has claimed kindred with the deeper mystery in our own souls.
The best lie is often one too ridiculous to be taken for a lie.
What is it about tears that should be so terrifying? the touch of God is marked by tears...deep, soul-shaking tears, weeping...it comes when that last barrier is down and you surrender yourself to health and wholeness
The smile that illumines the features of beauty, When kindled by virtue, alluring appears; But smiles, tho' alluring, no magic can borrow, To vie with the softness of beauty in tears. The smiles that are sweetest are often deceiving; Too often a mask which the cold-hearted wears; But a tear is the holiest offspring of feeling, And monarchs are weak before beauty in tears.
Music allows a person to express their deepest thoughts, thoughts that cannot be expressed with just words. I am often asked how I begin a song or develop a melody from nothing. That is the spiritual aspect of creating. Finding something deep within yourself that can only be created by you.
I stood there in the shadowed doorway thinking with my tears. Yes, tears can be thoughts, why not?
The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.
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