A Quote by Louis Kronenberger

Prig and philistine, Ph.D. and C.P.A., despot of English 218c and big shot of the Kiwanis Club-how much, at bottom, they both hate Art, and how hard it is to know which of them hates it the more.
I don't understand my feelings. I really don't. I don't understand how I could hate you so much after so much time. How, no matter how much I'd like to not hate you, I hate you even more. It grows.
I knew nothing about the independent film industry. I didn't know much about the industry itself. All I knew was how to watch movies, how to enjoy them, how to hate them, how not to like them.
I have a song about how much I hate emojis and the lazy thinking of people who use them. I wish that more people had respect for the English language.
Since philosophy is the art which teaches us how to live, and since children need to learn it as much as we do at other ages, why do we not instruct them in it? .. But in truth I know nothing about the philosophy of education except this: that the greatest and the most important difficulty known to human learning seems to lie in that area which treats how to bring up children and how to educate them.
I think every human being knows how to hate. Because if they didn't know how to hate how to hate they wouldn't know how to love.
If you want to influence people, you want them to accept your suggestions, you don't say, 'You don't know how to use the English language,' or 'How could you make that argument?' It will be welcomed much more if you have a gentle touch than if you are aggressive.
I am telling you now: I might be young, but I am good. I work hard, and I'm a good person. I know what's right. I know what's wrong. And if you give me this chance-- if you just give me one shot to show you how good I can be, how hard I work, how much I believe in doing the right thing -- I won't let you down. I promise.
No matter how much wrestling you have watched in your life, you know how big Wrestlemania and how momentous it is. My sister-in-law and her boyfriend aren't die hard WWE fans, but they are fans of Wrestlemania just because of how huge the event is.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
I learned how to horseback ride in English style, which is very hard, by the way. I had no idea how challenging it was. I've always ridden horses, but Western is like riding a horse in a rocking chair, as opposed to English, where you have to balance and hold on with your legs.
I've got news for you... both those idiots [Al Snow and the Rock] aren't your friends! They hate you! Everybody hates you! All the people at home, all these people in the arena hate you, and most importantly, Y2J hates you!
We all know how big Liverpool Football Club is. It is a club with a lot of tradition.
I can explain how a person with autism thinks. I am very, very interested in how people think. It's been a gradual process of learning more and more about how my thinking process is different. You know it's bottom up - you take specific examples to make concepts and then I put them in categories.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
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