A Quote by Louis L'Amour
Any man can shoot a gun, and with practice he can draw fast and shoot accurately, but that makes no difference. What counts is how you stand up when somebody is shooting back at you.
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I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
Instead of it being the mark of a real man that you can shoot somebody at 50 feet and kill them with a gun, the mark of a real man is that you would never do anything like that. . . . The gun is a great equalizer because it makes wimps as dangerous as people who really have skill and bravery and so I'd like to have this notion that anyone using a gun is a wuss. They aren't anybody to be looked up to. They're somebody to look down at because they couldn't defend themselves or couldn't protect others without using a gun.
The only birds I know about are the duck and the dove and the quail, birds that you shoot. You're not really supposed to shoot cardinals. I don't know if I'd shoot this bird. It looks pretty mean. This bird might pull a gun out and shoot right back at you.
In any game, you have an enemy coming at yourself that you have to shoot. If you go back to 'Space Invaders,' they shoot at you when they come at you, so how are you going to protect yourself? You're going to shoot, and that is a typical videogame.
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
When I hold a gun, I know how to be sensible about it. I'm not holding it to wild out or just to shoot somebody because I'm mad at him. There's responsibility in buying that gun, and part of it is dealing with it like a man, and not dealing with it like an idiot, and getting behind iron bars for unnecessary reasons.
Some of the events in the Olympics don't make sense to me. I don't understand the connection to any reality... Like in the Winter Olympics they have that biathlon that combines cross-country skiing with shooting a gun. How many alpine snipers are into this? Ski, shoot a gun... ski, bang, bang, bang... It's like combining swimming and strangling a guy. Why don't we have that? That makes absolutely as much sense to me. Just put people in the pool at the end of each lane for the swimmers.
I learned from my community how to shoot a gun, how to shoot it well. I learned how to make a damn good biscuit recipe. The trick, by the way, is frozen butter, not warm butter. But I didn't learn how to get ahead.
I was constantly shooting. Sometimes I would shoot through the night and in the morning go to my next shoot without any sleep or just two hours of sleep.
A lot of people refer to power as shooting a loaded gun. When you have to shoot the gun, you've lost the power. Other people's knowledge of your gun should be enough.
The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
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