All summer, I read fiction because you must read for the pleasure and beauty of it, and not only for research. I don't read thrillers, romance or mystery, and I don't read self-help books because I don't believe in shortcuts and loopholes.
I think the right to read, is one of our inherent rights, and I think that people in America today are intelligent enough to decide for themselves what they want to read. Without being told, by self-appointed people, you must not read this, or you cannot read this.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
Naturally, since I myself am a writer, I do not wish the ordinary reader to read no modern books. But if he must read only the new or only the old, I would advise him to read the old.
Read at every wait; read at all hours; read within leisure; read in times of labor; read as one goes in; read as one goest out. The task of the educated mind is simply put: read to lead.
I think most people read and re-read the things that they have liked. That's certainly true in my case. I re-read Pound a great deal, I re-read Williams, I re-read Thomas, I re-read the people whom I cam to love when I was at what you might call a formative stage.
To become a novelist, the most crucial thing one must do is read, read and read again - gradually you begin to think like a writer. Ideas are not found - they are shaped.
I read everywhere. I read every day. I read on the couch with my dog in the afternoon and at night. I try to read at least two to three hours a day. I read only fiction.
Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.
What I see of the US Presidential elections from down here makes me want to disengage from that particular reality and just hole up and read. It's true. I think if I were living in the US, I would just turn my television and radio off for a year right now, and just read.
Read, read, read, read, read, read, read, read, read, read, read, read, read...if you don't read, you will never be a filmmaker.
I think sometimes parents and teachers can push children away from reading by telling them it's something they must do, the same way they must eat their greens and must pass their exams in school. Poppycock! Read or don't read - that's your call.
All modesty aside, I think I'm good at reading scripts. The way I read a script is as fast as I can, all in one sitting, and I don't read many of the stage directions. I only read enough stage directions to let me know where I am, because they're always so verbose and mostly horseshit. So I only read the dialogue, which allows me to see the movie in my mind's eye in real time.
I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?
My advice to writers is: READ! A lot. Then read some more. read, read, read, read!
It's not what we eat but what we digest that makes us strong; not what we gain but what we save that makes us rich; not what we read but what we remember that makes us learned; and not what we profess but what we practice that gives us integrity.