A Quote by Louis L'Amour
I really learned how to write from Robert Louis Stevenson, Anthony Trollope, and de Maupassant.
Related Quotes
No author's writing more influenced my own than that of Robert Louis Stevenson. My first steampunk story, 'The Ape-box Affair,' is a sort of melange of Stevenson and P.G. Wodehouse.
I don't think I have one particular favourite writer. I have many whose works I will always buy or reread - Muriel Spark, Anthony Powell, Robert Louis Stevenson, Ruth Rendell, James Ellroy, William McIlvanney, Kate Atkinson, John Burnside, Louise Welsh, Iain Banks.
Robert Louis Stevenson...was a storyteller, that's what I'd like to be, that's what I'm trying to be
I'd like to go back in time and haunt Robert Louis Stevenson during his years in the South Pacific.
Robert Louis Stevenson... I'm focusing on the late short stories that I was ignorant of. I always thought he was a boys' author, but he's not at all.
I always loved reading. Growing up, my favorite book was 'A Child's Garden of Verses,' by Robert Louis Stevenson.
The teachers liked me. In grade school, they make you copy pictures from books. I think the first one was Robert Louis Stevenson.
The best argument for teaching poetry is to put a three-year-old or a four-year-old and read Dr. Seuss, or Robert Louis Stevenson, and to feel how the child and you are engaging in something that's really basic to the animal, which is passing on in these rhythmic ways, something that came from somewhere.
My breakthrough as a reader was when I discovered the European adventure story writers - Alexander Dumas, Robert Louis Stevenson, Sir Walter Scott, to name a few.
In Robert Louis Stevenson's 'Jekyll & Hyde,' the hero decides on the terms of his transformation in a process that's explained not through the supernatural but the natural or, at least, through biochemistry.
If you want to know why the coast is such an inspirational place, ask Herman Melville, Jack London, Nordhoff and Hall, Robert Louis Stevenson or Joseph Conrad. It's a glimpse of eternity. It invites rumination, the relentless whisper of the tide against the shore.
The distinction between literary and genre fiction is stupid and pernicious. It dates back to a feud between Robert Louis Stevenson and Henry James. James won, and it split literature into two streams. But it's a totally false dichotomy.
My three favorite travel writers of all time are Robert Louis Stevenson, Graham Greene, and Chuck Thompson. Smile When You're Lying not only tells the truth about the travel-writing racket, it gets to the heart of some of the travel industry's best-kept secrets.
Robert Louis Stevenson, one evening, stood transfixed at his nursery window watching the lamplighter in the street. When his nanny asked the boy what he was doing he replied: 'I'm watching the man knocking holes in the darkness.' We live in a universe made dark by sin. Let's knock holes in the darkness.
Every time you finish something ... you figure you've finally learned to write, right? Then you start something else and it turns out you haven't. You have learned how to write that story, or that book, but you haven't learned how to write the next one.
The songs are not meant to be real life. They're meant to have a psychic - rather than a factual - bearing on the listener. It's rare that a song grounded in reality moves me because I don't feel like I'm getting the whole story. Songs are made to exist in and of themselves, like a great James Jones or Robert Louis Stevenson novel - they're not autobiographical, and yet there's a reality in every single page. It's real life of the imagination.
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