A Quote by Louis L'Amour

At the earliest drawings of the fractal curve, few clues to the underlying mathematical structure will be seen. — © Louis L'Amour
At the earliest drawings of the fractal curve, few clues to the underlying mathematical structure will be seen.
If the system exhibits a structure which can be represented by a mathematical equivalent, called a mathematical model, and if the objective can be also so quantified, then some computational method may be evolved for choosing the best schedule of actions among alternatives. Such use of mathematical models is termed mathematical programming.
You existed. You existed now as a fractal. Definition: A fractal is generally a rough or fragmented geometric shape that can be broken into parts, each of which is (at least approximately) a reduced-size copy of the whole. Maybe I was a fractal. Maybe the photographer was a fractal. Maybe we were all fractals.
A fractal is a mathematical set or concrete object that is irregular or fragmented at all scales...
I think we all look for clues that we are not utterly alone... Clues we find in literature and paintings and music and even someone’s eyes; clues that demonstrate that someone else has felt the same indescribable feelings, seen the same things or passed by the spot even if it was by candlelight three hundred years ago. It means everything, like finding footprints in the sand of a deserted island.
Drawings are only a few lines on paper. Therefore it's easy to carry around in plastic bags. Drawings are cheaper than paintings. They don't pretend they'll last forever.
I fell in love with flora of all types, especially ferns. Loved the sparse structure and repetition of shape - almost fractal.
There will always be people who are ahead of the curve, and people who are behind the curve. But knowledge moves the curve.
(Game theory is) essentially a structural theory. It uncovers the logical structure of a great variety of conflict situations and describes this structure in mathematical terms. Sometimes the logical structure of a conflict situation admits rational decisions; sometimes it does not.
The first of the request prayers in the daily Amidah is a fractal. It replicates in miniature the structure of the Amidah as a whole.
God is a novelist. He uses all sorts of literary devices: alliteration, assonance, rhyme, synecdoche, onomatopoeia. But of all of these, His favorite is foreshadowing.And that is what God was doing at the Cloisters and with Eudora Welty. He was foreshadowing. He was laying traps, leaving clues, clues I could have seen had I been perceptive enough.
History has shown that there are very few mechanisms as effective at maintaining the status quo as a set of institutionalized regulations. Once set in regulatory concrete, reconsideration of the basic underlying assumptions is very difficult. While it will be an uphill fight to re-examine the basic underlying assumptions of any law or administrative rule, it is clearly not impossible. It will just take longer than if not so well institutionalized.
I conceived, developed and applied in many areas a new geometry of nature, which finds order in chaotic shapes and processes. It grew without a name until 1975, when I coined a new word to denote it, fractal geometry, from the Latin word for irregular and broken up, fractus. Today you might say that, until fractal geometry became organized, my life had followed a fractal orbit.
It's fun to sit down and do a few drawings, but when you have to sit down and do hundreds of drawings whose value only depends on getting to the end of the chain, then you've created a different kind of monster.
It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.
[On the Gaussian curve, remarked to Poincaré:] Experimentalists think that it is a mathematical theorem while the mathematicians believe it to be an experimental fact.
Bernard's [Leach] drawings delineated every little accent on the pot, every subtle curve and change of angle and proportion and all.
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