A Quote by Louis Leakey

There is tragic evidence to show that the paintings at the French prehistoric art sites are deteriorating. — © Louis Leakey
There is tragic evidence to show that the paintings at the French prehistoric art sites are deteriorating.
At 16, I decided to do something brave: I went on a prehistoric dig. In fact, I've had my name in a museum since I was 18 years old, not for my painting but for the prehistoric objects I found. That's how I started thinking about art.
I think that nudity is beautiful. Sometimes it can be awful, but when it's beautiful? Cinema is the art about reality; it's art from reality. In French we say l'art de la realite. You show reality, so you have to show bodies.
I am planning a one-man art show of original Batman oil paintings that I will show in New York City.
I wanted to show painting paintings first, then the plate paintings; now I can show that I've sort of freed myself from stylistic inhibitions.
Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.
Prehistoric art came to move me much more than Greek art. Greek art has beautiful women and handsome men, but I don't care.
They asked me to do a show, and I was planning on showing my figure paintings. But my friends told me I shouldn't - the paintings were good but a little old-fashioned. They said, "Why don't you show the other stuff?" I had also been making rather strange objects, more in the Freudian tradition.
Art comes from art: I remember going to the Matisse show and seeing how Matisse had taken one of his own paintings, worked from it and transformed it, and that had led on to the next one and the next.
I am quite prehistoric, absolutely prehistoric.
There are so many previously unknown sites and structures all over the world. And I think most importantly what satellites help to show us is we've actually only found a fraction of a percent of ancient settlements and sites all over the world.
I have always been fascinated by paleontology and prehistoric people, and I've always thought that one of the most intriguing moments in human history was the birth of artistic imagination. I always loved those cave paintings.
But in addition to all the moral evidence against the Bible, I will, in the progress of this work, produce such other evidence as even a priest cannot deny; and show, from that evidence, that the Bible is not entitled to credit, as being the word of God.
Melancholy is a state that I very much enjoy being in, actually. It's not the same as feeling sad. It's a more complex emotion; it derives from a tragic view of the world, a tragic view of art.
I like when people have opinions - especially about art. You can hate my art. I made my art to be hated. That's why I made the name paintings.
If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world.
I'm just really impressed by oil paintings - I don't see how people do it! That's the style I like: classic oil paintings. Abstract art just isn't my thing.
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