A Quote by Louis Leakey
The author knows just what he wants to illustrate and how he would like it to be done.
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I wish Michael Schumacher would come try NASCAR. That'd be cool. With everything he's done and how professional he's remained through it all, I think he's an awesome role model as far as work ethic and tenacity. He just seems like he knows how to get it done.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
He also knows what king of protein I like, what T-shirts I like, how I like my dry cleaning to be done. He also knows how I like my stuff folded and put away into drawers.
Whereas the town knows all about you already and wants to know more and wants to beat you with what it knows till how can you have any of yourself left at all?
When you think of a chef you think of somebody that could cook - you don't think of chef that says, 'Yo, I make only steaks'. No. A chef knows how to bake, he knows how to fry, he knows how to sautee, he knows how to do everything that's pertaining to food, and that's how I felt about my lyrical position. It's like I would say, 'Today I'm gonna make a hot salmon. Tomorrow I make you spaghetti. The next day I make you baked fish'. This is how my lyrical content in my head was already bein' reciprocated to the world, bein' given to y'all like that.
[George Clooney] knows exactly what he wants and so he knows that you've done a good job before you do.
I used to work in an office in New York for this terrible company, and we used to have staff meetings, and I would just count how many times the boss would use the phrase "in terms of." And he would say it like 30 or 40 times. And sometimes he would just say it. He'd be like, "Uhh, in terms of, how are we doing with that?" I realized nobody knows what they're talking about. Everyone's bullshitting. Maybe not everybody, but certainly a lot of people.
There's this creative thing in me that wants to have my work used - like the author of a book who wants it read.
Everybody knows that the boat is leaking. Everybody knows the captain lied. Everybody got this broken feeling, like their father or their dog just died. Everybody talking to their pockets. Everybody wants a box of chocolates and a long-stem rose. Everybody knows.
While there are corporal descriptions of what the afterlife is like in Christianity, Islam and Judaism, what's going on there is the finite trying to describe the infinite. If God knows everything, started everything and is the only one who knows how it's going to end, how can any human know what God wants?
One of the tools I like a lot is the Just Like Me practice. It's one of the empathy practices where we put ourselves in the other's shoes. Rather than get caught up in the difference in the ideologies, we actually come back to the fundamental idea: just like me, this person on the opposite political spectrum wants to be happy, wants to be safe, wants to thrive, wants to be healthy, wants to find peace of mind.
Love knows how to do without what it naturally wants. Love knows how to say, 'What does it matter.'
This study is not for the amateur. It's not for the dilettante. It's not for the cult follower. It's not for someone who wants everything done for them. It's not for the one who just wants to stare with that fixed dog-like devotion towards the teacher.
Arsene knows what he wants and knows how to get the best out of you - that is why he gets such an impressive response from his players.
Editors can be stupid at times. They just ignore that author's intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don't make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author's mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, 'Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?'. Monet would be ripping his hair out.
There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately.
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