If you write for the New Yorker, you always get people critiquing your grammar, you can count on it. So, because a lot of New Yorker readers are kind of, you know, amateur grammarians and so you do get a lot of that.
I think that anyone who likes writing views 'The New Yorker' as the, you know, pinnacle of the publishing world. If you get 50 words published in 'The New Yorker,' it's more important than 50 articles in other places. So, would I love to one day write for them? I guess. But that's not my sole ambition.
Like every New Yorker, I have a love/hate relationship with the city. There are times it's overbearing, but when I'm away even for a little while, I can't wait to get home. I am a New Yorker.
'The New Yorker's fiction podcast I like a lot, where they have authors pick short stories by other authors that appeared in 'The New Yorker.'
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
I just so desperately wanted to be published in New Yorker, and I'd so desperately try to get something in it. But I'd always get nice letters back telling me that Mr. Shawn [William Shawn, the New Yorker's editor from 1952 to 1987] just didn't like this or didn't like that about what I submitted.
William Maxwell's my favorite North American writer, I think. And an Irish writer who used to write for 'The New Yorker' called Maeve Brennan, and Mary Lavin, another Irish writer. There were a lot of writers that I found in 'The New Yorker' in the Fifties who wrote about the same type of material I did - about emotions and places.
I'm a New Yorker. I always have issues with trust - you adopt it from being a New Yorker.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
I'm a New Yorker. Matter of fact, the more I'm in places like Texas and California, the more I know I'm a New Yorker. I have no confusions. About that.
Let's say honorary favorite New Yorker is John Lennon, and favorite real New Yorker is Biggie, because he's the best.
Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.
I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.
I've made so many films in New York. There was an assumption I think a lot of people had that I am a New Yorker, that I am from New York, and I always felt like nothing could be further from the truth.
Every true New Yorker believes with all his heart that when a New Yorker is tired of New York, he is tired of life.
My readers know my views on politics and politicians because I make no secret of them in my comments for 'The New Yorker' and elsewhere.