A Quote by Louis Menand
I suppose everybody does get attached to characters whether in movies or in stories, but I think that's part of the reason you get involved with literature is because there's somebody that grabs you about it and then you want to figure out why.
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I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.
Well, you sort of get out of the pool room, you get out of the Marine Corps, you get out and read some literature, you become involved with people who also want to know and are ready to share some ideas about literature and thoughts, and it becomes nourished that way.
I've always had an interest in story-telling and history and just film and art in general, but particularly when it comes to storytelling, I think the reason why we became involved in film is because we wanted to get some great stories out there.
Whether you have a hundred friends on Facebook or whether you're on TV or whatever, at every level, everybody has a platform. We all have a responsibility, given what's going on, to speak using that platform as much as we can, and to engage. Whether that's calling members of Congress, marching, getting involved locally, getting involved with Let America Vote, or if all you can get done during the day is you see the news and you want to make sure your hundred friends on Facebook know what you think about it, that is a really important part of this.
I'm going to go out and get everybody together and say I think we ought to protect this for generations to come. Now, let's get down to work and walk the land and talk about the conflicts and get everybody involved.
Like most of the movies I get involved with, I resisted as long as possible, I really try to figure out why I shouldn't do it and this one had plenty of reasons "not to do it".
The '80s just had this sense of outrageous fun coupled with great stories and characters. Then there's the practical effects and buckets of gore in movies. These are movies that, for the most part, still stand up to this day. But I guess the real reason for my love and obsession with this period is these were my first horror movies. I was a teenager during the '80s and I think spending that part of your life in that particular time really has an impact on you for the rest of your life.
The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.
The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.'
The reason why I could get into acting was because it takes nothing to get out of who I am and go into somebody else.
I think hemp is one of the greatest plants that God put in the ground, and I don't think anybody has the right to eradicate it. Just because somebody wants to get high with a joint, that's no reason to throw him in jail and take his damn belongings. He's just trying to get well. The mother - 's sick. That's why people drink beer when they come home from work. They're stressed out. That's all grass does. It's a big stress reliever.
You really get a feeling, when you're reading scripts, pretty quickly. Within 20 or 25 pages, you can get a sense of the part. I always think about whether I'm right for it and whether I can do it. If I don't think I'm right for it, it should go to somebody else.
Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
[Hollywood] studios are handing out money to make independent films now, but they all want the same thing. They want the style and the deadpan delivery of RESERVOIR DOGS or FARGO and so they imitate those movies. They want PULP FICTION, but they get it all wrong! They get the detachment, but that's it. And then it's all about style, and in the end what do you learn about the characters? Nothing. You learn you wasted two hours.
Wrestling is about connecting with the audience. Giving them a reason to care. Same reason I binge watch series on Netflix, because the stories and characters get me invested.
We all get intimidated by showing ourselves, for whatever reason, we think, If I really show who I am, and someone goes [pfftt] then it's gonna crush me. Well, it's not gonna crush me. It doesn't crush you if somebody does that- somebody will do that. Many times. And once you accept that that's not why you're doing it, you're doing it because that's your form of expression.
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