A Quote by Louis Menand
For the kind of places I've written for and the kind of writing that I've done, the general way to think about your audience is to think about somebody who's like yourself, but in a completely different discipline.
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That's what I love about songwriting - that you can write something about your own experiences and think it's completely specific to you, and then people can take away a completely different meaning for themselves. I really love that. I think you've been successful at writing a song when it has a larger life than yourself.
I never start out with any kind of connecting theme or plan. Everything just falls the way it falls. I don't ever think about what kind of fiction I write or what I am writing about or what I am trying to write about. When I'm writing, what I do is I think about a story that I want to tell.
Your body is not who you are. I don't think women should label themselves based on the way they look. What about defining yourself by a different kind of measurement? What about your heart, your soul, your compassion, your generosity, your strength and your power? There are so many other things to focus on besides your waistline.
I think the more you can kind of decrease yourself and kind of increase other people's stories and give them the light, I think that's what it's all about. Whether it's community service or giving back to the community in different ways or helping people, it's not about yourself.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
No. He says when you're dealing with any kids of supernatural beings, Gods and Devils and angels, you tend to think about them like hurricanes or earthquakes, some kind of mindless force of nature. But if they're real, then they have minds. They know your name. So even reading about the Devil tips him off, he knows instantly he's being read about and that you're somebody he may have to deal with. And I'm thinking what you did in Vegas went way, way beyond that." "What 'I' did? What about us? We were both there." "Yeah but I cut my hair since then. They probably think that was a different guy.
Not caring what people think about you is so much easier said than done and I think that it's easy to be in school and kind of compare yourself to everybody else, you might think that you're weird because some people don't like you or because you just dont feel like you belong in your own skin in your school and I think that it's important to realize that there's absolutely nothing wrong with you you're worth so much. As time progresses you'll see that and you have to learn to love yourself and accept yourself because its your skin
I don't think any poetry is written that isn't primarily written to the self, in a way... I'm always talking to myself. But I seem to want somebody else to listen to it. I need, I do want an audience. So it's a strange thing. It's a very private conversation that then, you make public, kind of, like, the starfish flipping its stomach out.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
On one hand, I kind of feel like I have unlimited options right now, and obviously that's not technically true, but when you're at this place where you're just kind of dreaming up stuff, your imagination is your limit. That's where I'm at, which is great, but ultimately I think you have to make these decisions to close off some options to yourself. I think things only get done when you say, "This is the one thing I'm doing," and you kind of kill the other ones in the meantime. So I haven't done that yet, I've got to figure that out.
I've done things so unconventionally that I don't think I'd ever be able to lead by someone else's example or the way somebody else has done it. Everybody has their own way of going about things and mine seems to be completely different.
I started playing classical music, and I still do. I think music ultimately is kind of on a theoretical level, is about collecting and learning as much vocabulary as possible. It's kind of like writing. It's kind of like writing because the more you read, the more you hear people describe things. The more you soak in, as far as vocabulary, the more access you have in order to express yourself accurately and vividly.
Because I came into fame so early on, I've never done that. I don't investigate through the Internet about people who I know in the same way that I think most people do because I know what that's like to be on the other end of it. I think it gave me a certain kind of discipline, or empathy.
With writing, I think you have to be honest with yourself. I have a certain kind of writing; that is, I like to really embellish the human spirit. You have to write about something you have a feel for.
Normally, some people think about 50 as a big moment in life. I kind of think 30 because in your baseball career, 30 was considered on top kind of looking at the end of your career. So I remember thinking about 30 in different ways, but 50 just seems like another step right now.
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