A Quote by Louis Oosthuizen
On the practice green, I hit a lot of four-footers with my right hand only. But whatever grip I'm using, you can bet I'm feeling good about it. Otherwise, I'd change. That's how I avoid slumps.
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I've learned a lot about language from reading slush. You can immediately tell if a writer is in control of the narrative. This writer will avoid using too many words like "possibly," "probably," "maybe," "perhaps," etc. He/she will avoid using clichés, as well as a lot of metaphors, and won't take four sentences to say what they could in one (or write a great sentence and follow it up with a bunch of stuff that just weakens it).
You go through slumps. The shot feels good in practice and looks good and for whatever reason in the game, they're in and out. Sometimes it gets frustrating, but for me, I've played in the league long enough to know you just have to put in the work in practice and shoot with confidence, shoot your way out of it.
When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
Some players like to change clubs around the green to hit high or low shots. I play all of my short-game shots with my 54-degree sand wedge and change my ball position to hit it higher or lower. I think it's easier to learn one club than four.
A lot of players are slow to change, you're playing good,( you think) why do I want to mess with that ? It takes a lot of testing, a lot of practice and observation of the ball, especially under competitive circumstances, to realize this is a better product and I need to start using it.
A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.
Emotion is created by motion. Whatever you're feeling right now is related to how you're using your body.
You have to see if the batsman is coming out, if he is staying back, what his grip is like, to gauge his intentions. A common trend I have observed is, a lot of batsmen change their grips when they are looking to hit: normally they either go high or slide their hand to the bottom of the handle to get maximum power.
There are a lot of 7-footers that aren't good shot blockers whether it's their athleticism, their quick jump, their eye-hand coordination, their ability to get their hands on the ball. Part of it is just instinctual.
Green vegetables are something that fascinate chefs; the ability to keep vegetables green. How do we keep them green? What makes them green? Why are they green? And then that sort of army green. Why do they go from bright vibrant electric green to army green, and how can we avoid that?
Players too often bet too much money when they hit a strong hand. That only serves to drive opponents out of the pot, and that means a lost opportunity to maximize the value of a powerful hand.
I'm a God-gifted fighter. I've got vision. I've got very good reaction. I've got a good jab. I seem to be able to hit and not get hit. I've got a good right hand, and that's my power hand. I like to mix it up. I'm never set on one style. I'm always doing something different, and I'm a sponge. I'm always learning more.
Principles aren't something you hear much from politicians these days. Have you noticed? Right across the board, leaders, whatever the political coloring, avoid talking about laws; they avoid talking about principles. They talk about 'our values.' But values can change, and all our packets of 'values' seem to be getting smaller.
I just freestyle. I don't actually write the words on paper. It's just whatever comes into my mind. I'll record three or four lines at a time, get a good take, and do three or four more. It may be whatever comes into my mind. But I care about my craft a lot more than a lot of other people.
Do not get into a fight if you can possibly avoid it. If you get in, see it through. Don't hit if it is honorably possible to avoid hitting, but never hit soft. Don't hit at all if you can help it; don't hit a man if you can possibly avoid it; but if you do hit him, put him to sleep.
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