A Quote by Louis Sachar

I actually started an adult book, worked on it for about two years, and then decided it just wasn't coming together for me, and thought I'll go back to children's books, and almost immediately I started 'Holes,' and it just seemed to take off on me.
We're all players and musicians and we sure all get along good. We just clicked right off the bat. We started playing and then we almost immediately started recording.
Coming out of graduation, I didn't immediately know what direction I wanted to do so I decided to just stay as an intern until it really kind of dawned on me and I felt more compelled one way or the other. So I gave it a few years and then after two years it was really clear that deep down I missed being a full time creative artist. Ironically, I started getting clients who were all in the entertainment industry and a lot of them were in comedy!
It helps when 1 can send the children off to their fathers so I can support my new book with a national publicity tour. I started writing the book when my daughter was 5. It took me almost four years.
I went through some stuff. And I got very depressed at times. It was like a marriage breaking up suddenly, violently, quickly. And I was just trying to figure out what happened. When we started putting this tour together, I started to feel better almost immediately. And then this there is this, there is almost no better antidote to what I"ve just been through than to do this every night.
My book review site and first blog, which I started in 2003. I started it because I was lamenting that while I read so much, I could hardly remember any of it. People would ask me what good books I'd read recently, or what I thought of a particular book, and my mind would go blank. At the same time, I'd just heard of blogging and found the idea interesting and thought I'd give it a try.
After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.
It was in Australia. I started in Cairns and went up to Cape Tribulation, Port Douglas and then went to Fraser Island. It was there that I thought was quite heavenly. I just decided to go back packing somewhere and that's where I picked. It was just before I got the role in Hot Chick. A friend wanted to me to go to Australia and I was thinking my career is just starting, it's not a good time to leave but she told me that my career would always be there and I was only going to get more immersed in it, and she was right. So it was a good time to go.
Then one day I thought it would be wonderful to make a whole book, to make my text and my drawings together, and that's how I started doing children's books.
The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.
I'm 58 years old and I just went through 8 back surgeries. They started cutting on me in February 2009, and I was basically bed ridden for almost two years. I got a real dose of reality that if you don't have your health, you don't have anything.
I was just working in the shop and all of a sudden something just triggered in me, and I started shaking. And then I walked back into the house and my wife asked, 'What's the matter?' And I said, 'I don't feel good.' And tears, uncontrollable tears, was coming out of my eyes and she says, 'What's the matter?' And I told her. I said, 'I just thought about that execution that I did two days ago, and everybody else's that I was involved in.' And what it was, something triggered within, and it just, everybody - all of these executions all sprung forward.
One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
I mean, I knew that one day I'd do something writing-oriented as soon as I started writing. But when I started singing, I was determined to make those two work together, so I just worked at it until I started making stuff that sounded like music.
I decided to be a filmmaker between my sophomore and junior years at Morehouse. Before I left for the summer of 1977, my advisor told me I really had to declare a major when I came back, because I'd used all my electives in my first two years. I went back to New York and I couldn't find a job. There were none to be had. And that previous Christmas someone gave me a Super-8 camera, so I just started to shoot stuff.
I read the poem [In a Dark Time by Theodore Roethke] because I was intrigued and had one of those strange senses: "This poem is kind of important to me. I don't know why, but I'm going to just keep it in the back of my mind." I just kept coming back to it. As I started putting the book together and writing the stories for it, this idea of buzzing as a word kept popping up in my brain.
Every once in awhile, Allison Abbate would drop a note and say, "It's going really well!," and I was like, "Great!" So, I had not seen it in about two years. They went off and started shooting, and I saw it all put together with almost the final sound mix and it was remarkable. I was so, so happy and relieved, not in the sense that I thought something had gone wrong, but you just don't know what something is going to be like until you see it put together. Everyone stepped up and brought their A+ game.
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