A Quote by Louis Walsh

Everybody says they were 'born to sing' but you can suss the good from the bad. You can tell who's in it for the music. — © Louis Walsh
Everybody says they were 'born to sing' but you can suss the good from the bad. You can tell who's in it for the music.
I'm a born music lover and want to sing for all music composers as well but due to some false impression many makers feel that I prefer to make my own music and sing, though I'm equally comfortable in both.
When Drake sings, it makes everybody feel like they can sing. Not saying he's a bad singer - he's a good singer - but it just makes everybody feel like, 'If Drake can sing, I can sing, too.'
A good interpreter can take a piece of bad music and make it sound pretty decent, while a bad interpreter can take good music and make it sound cheap. I can tell that some people have a bad taste, and unlike on the piano, they smear around a lot, that is bad taste.
An ear for music is very different from a taste for music. I have no ear whatever; I could not sing an air to save my life; but I have the intensest delight in music, and can detect good from bad.
In those years, when I came to the States, people were always asking me why I didn't sing anymore. I'd tell them, 'I sing all around the world-Asia, Africa, Europe-but if you don't sing in the US, then you haven't really made it.' That's why I'll always be grateful to Paul Simon. He allowed me to bring my music back to my friends in this country.
Nothing's new since Genesis. And so everybody in their life thinks history began when they were born. Most people's historical perspective happened when they were born in the sense that nothing has ever been this bad. "We've never gone before this before," and of course we have. Things have been worse in many ways in the country.
I was surrounded by a bunch of friends who made music, and at the time, I thought they were good. They used to tell me I was really bad, but it ended being up the opposite.
There were no "unemployed" in the impoverished Polish countryside before the Second World War. Not a single unemployed. Every child that was born in the peasant family had his room at the table and his job in the field, stable or pigsty... If there was not enough food, everybody got less. If food was plentiful, everybody ate better. In such a setting, we may say, the problem of security couldn't even arise... One was born with life-long rights; the only thing that one could not do was to change them. A setting good on the side of security, though bad on the side of freedom.
It's easy in music to tell what's good. It's hard to tell what's bad.
Irony ruined everything Even the best exploitation movies were never meant to be `so bad they were good`. They were not made for the intelligentsia. They were made to be violent for real, or to be sexy for real. But now everybody has irony. Even horror films now are ironic. Everybody's in on the joke now. Everybody's hip. Nobody takes anything at face value anymore.
Not everybody is going to understand you. You can't please everybody. That's just human nature. Everybody has their opinion, and that's going to be there. You deal with it. You take it in stride. You take the good with the bad, the bad with the good. That's part of life.
Anyone who's gotten their passport in America will tell you, when you get it, it still says what country you were born in. So I remember getting my American passport. I was like, 'Woo-hoo! I'm going to travel.' And I opened it up. It said, 'Born in Iran.' I'm like, 'Oh, come on, man!'
I grew up in a community where it was not the exception to be a good girl. It was sort of expected. And all of my friends were good girls too, and my boyfriends were good boys. Everybody was pretty nice. And that affects how I write my characters. There aren't very many bad guys in my novels.
Because everybody always encouraged me to sing, I assumed that I wasn't bad at it. It felt like it was obvious what I was going to pursue. I thought I was good for as long as I can remember.
If someone says to me that 'Horizon' is an anti-feminist anthem, I have to tell them, 'No, that's not right.' But I'm not interested in unpicking my music for people. Everybody has different reference points.
I had a list of rules I made up one time. It says: Tell the truth, sing with passion, work with laughter, and love with heart. Those are good to start with, anyway.
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