A Quote by Louis Walsh

I hate 'The Voice.' I think everyone thought 'The Voice U.K.' would be like the U.S. version, and it's not. — © Louis Walsh
I hate 'The Voice.' I think everyone thought 'The Voice U.K.' would be like the U.S. version, and it's not.
I hate programmes where some TV personality looks you in the eye and tells you what to think - the Andrew Marr version of history. I hate the authorial voice telling you what to think.
I think everyone has a story to tell. Part of what I do is help artists find their voice, not only their vocal voice, but their writing voice. Every artist that I worked with who has those records that everyone talks about, they are also writers. I like to say I helped support whatever their writing was so people heard the song clearly.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
I think I'm a good writer. I think I have my own voice, which is unique to everyone, everyone has their own voice; if they would just write from a vulnerable embarrassing place, it's going to be universal and it's going to be entertaining. Because everyone is the same and everyone is unique.
I think I'm a good writer. I think I have my own voice, which is unique to everyone - everyone has their own voice; if they would just write from a vulnerable embarrassing place, it's going to be universal, and it's going to be entertaining. Because everyone is the same, and everyone is unique.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
The voice of the intelligence is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is biased by hate and extinguished by anger. Most of all it is silenced by ignorance.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
When you write, it's just a much more crystalline, compressed version of the voice you think with - though not the one you speak with. I think your writing voice is your laser-guided missile. It's the poetry part of you.
I knew I could sing but I always thought everyone could sing, that everyone was born with a singing voice. Even when I was getting interest from singing, I just thought 'what about all these guys?' Yes, I can sing, I have a good voice but there's so many people that can and do.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
This was my voice, but perfectly wise, calm and compassionate. This was what my voice would sound like if I’d only ever experienced love and certainty in my life. How can I describe the warmth of affection in that voice, as it gave me the answer that would forever seal my faith in the divine?
It would not occur to me to write a joke like, 'This would be great if I was more like Andrew Dice Clay.' It's not the voice I write in - which is largely an extension of the voice in my head that I think in.
The voice of the intelligence is soft and weak, said Freud. It is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is hissed away by hate, and extinguished by anger. Most of all it is silenced by ignorance.
This approach to voice is designed to liberate the natural voice and thereby develop a vocal technique that serves the freedom of human expression. The basic assumption of the work is that everyone possesses a voice capable of expressing, through a two- to four-octave natural pitch range, whatever gamut of emotion, complexity of mood, and subtlety of thought he or she experiences.
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