A Quote by Louis Walsh
Everybody has auditioned and failed. You learn from that. It's how you learn your craft.
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Learn your craft. You want to be a doctor or a teacher - it's very important to learn your craft and indulge in it. You have to get involved and learn as much as possible and go for it.
Everybody kind of has to learn the same lessons. You've got to learn how to get over your first love. You've got to learn how to forgive people that emotionally abuse you. You've got to learn how to let go in a lot of ways.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
I think this is an exciting time to be a female filmmaker. Trust your instincts, work harder than anyone else and learn your craft. Know it all. This means learn how to shoot, edit, produce and direct. Get as much experience as you can and watch a lot of films.
Don't just learn one thing; learn everything about whatever you're going into. If you want to be an actor, if you want to be on Broadway, hang lights, sweep floors, sell tickets, be an usher, do everything that you can because that's where you learn your character and your craft.
I learn from everybody I work with, and you learn, every single day. I can learn from anyone. Being fortunate enough to perform in front of a changing live audience, every night, you learn from everybody. Everyone has an opinion and they'll let you know.
I always wanted to be a feature filmmaker and tried to treat that experience as some sort of elite film school where I could learn the craft, and got paid to learn the craft.
I've always written songs the same way. You learn different tricks - you learn craft, you learn structure, all that - as you go.
I really loved working with Michael Caine. He's a really skilled and experienced actor. I learn something from everybody, but when you work with somebody like that, you actually learn things you can put in your toolbox, things about craft. Not necessarily life lessons, but actual things he knows that you can pick up.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
A director, I forget who, told me that it takes 30 years to make an actor. And I believe that. You have to learn your craft, learn your trade - and also you have to live a life and experience things.
Success is a learnable skill. You can learn to succeed at anything. If you want to be a great golfer, you can learn how to do it. If you want to be a great piano player, you can learn how to do it. If you want to be truly happy, you can learn how to do it. If you want to be rich, you can learn how to do it. It doesn't matter where you are right now. It doesn't matter where you're starting from. What matters is that you are willing to learn.
The advice that I can give anyone wanting to be in the biz: do all the work, learn your craft. There are no shortcuts. If you stay with it, you will get an opportunity. Whether you make the most of an opportunity depends on if you are prepared. Learn your craft, every aspect of it. Eat it, drink it, sleep it, then when you are the most prepared, you can make the most of it.
We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Film and television is just a different technique in terms of how to approach the camera but basically the job is the same; but what you learn as a craft in theater, you can then learn to translate that into any mediums.
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