A Quote by Louis Walsh
When I was managing Boyzone and Westlife there were screaming girls every night. If there wasn't a high-piched screaming, it was a bad gig. I got used to it.
Related Quotes
I went to see the Beatles last month... And I heard 20,000 girls screaming together at the Beatles... and I couldn't hear what they were screaming, either... But you don't have to... They're screaming Me! Me! Me! Me!... I'm Me!... That's the cry of the ego, and that's the cry of this rally!... Me! Me! Me! Me!... And that's why wars get fought... ego... because enough people want to scream Pay attention to Me... Yep, you're playing their game.
I got so big in the Latin market, it was a bit like being Elvis Presley. The limousines, the screaming girls - stuff I wasn't used to.
I did whole Latin albums and it was like Beatlemania for me in the Latin world, the screaming girls, not being able to leave the hotel, at the airport met by screaming fans. That was something!
Even though I'm surrounded by pupils, there is the invisible screen screen between us, and behind the glass wall I am screaming - screaming in my own silence, screaming to be noticed, to be befriended, to be liked.
Led Zeppelin didn't get that kind of Beatles screaming. We had a more sort of macho crowd. But I remember once in the early days of The Yardbirds, we were playing on an ice rink, and the stage was mobbed by screaming girls. I had my clothes torn off me. That's a really uncomfortable experience, let me tell you.
My son is in a band, and he's a singer, and his vocals... they're screaming-growling stuff... and he's got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I'm, like, 'Hats off to you.'
My son is in a band, and he’s a singer, and his vocals … they’re screaming-growling stuff … and he’s got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I’m, like, “Hats off to you.”
You were a terrible baby, do you know that? Bawling all the time, never sleeping. And one night you just wouldn't shut up, screaming like a dying pig. I walked over to your crib, I looked down at you. I wanted to strangle you. And you looked up at me and you stopped screaming. You smiled at me. Don't die so far from the sea.
I used to live in an old historic shipyard town called Trenton, Michigan, and a month after I moved in, I started hearing this woman screaming my full name at three in the morning, every night. Finally, on the seventh or eighth night, she screamed it again, and I woke up.
Night terrors are in deep sleep, and they're more common in kids, as are nightmares, but what happens in a night terror is like a flash - we think a flash of some image or something happens in the brain. We don't really quite know what. And it usually ends up with the child screaming almost like screaming bloody murder. It's very scary for the parents or whoever else is around.
Really? Screaming?” He shrugged. “It wasn’t that bad. But there were definitely some freak-outs on both sides. Though, to be honest, the silence was worse.” “Worse than screaming?” I said. “Much,” he said, nodding. “I mean, at least with an argument, you know what’s happening. Or have some idea. Silence is… it could be anything. It’s just –” “So freaking loud,” I finished for him. He pointed at me. “Exactly.
The response of teenagers to their idols is relevant. As an audience, they enjoy themselves, not by screaming with laughter, but screaming with screams.
When I present 'Million Pound Drop', I'm screaming the right answer in my head just like you're screaming at the television screen.
My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.
I remember when I was rehearsing 'Scottsboro Boys,' I was in 'American Idiot,' so, every night, I was screaming, singing these high, belty Cs and Ds, and then, during the day, I would be doing these legato lines - I am very lucky that I have had the training that I have so that I could handle all of that.
It's really different without the fans, because there is less atmosphere, no screaming after every corner or chance. But the positive is you can communicate with each other. You can speak with each other. You can hear what the coach is screaming on the touchline.
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