A Quote by Louis Zamperini

I was a rotten kid. My excitement came from seeing what I could get away with. — © Louis Zamperini
I was a rotten kid. My excitement came from seeing what I could get away with.
America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid.
It never came into question, taking the name away or changing it. Panic! has always symbolised some form of excitement that I couldn't get elsewhere.
America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid. I was brought up on American films.
Dancing is so wonderful. Once they start the music, your whole day, if it's been rotten, seems to melt away. You get carried away in the tune that you're moving to. It's a marvelous catharsis, to be able to get on top and tap dance.
For me, it was just a case of seeing what stage I could actually get to. For every kid it's the same, you don't know how far you can go until you get a bit older and things start to become a reality.
I wasn't a kid when I came out. Soulja Boy was 16. I'm saying that when he came out he was a kid so it was naturally a show for him. It's not about the music right away. It's a show for him. Not that he's not putting enough effort into his music, but how much effort can a 16 year old put into his music because as you mature and get older even the songs he's doing now has evolved and he's looking back.
Any time you get a chance to do something different or get away from your appearance or get away from what people are used to seeing, I think it's always good.
Pot put me in a position where I could walk far away from my playing and hear it in the second person. It helped me step away from myself. I stopped seeing the guitar as a thing I'm holding in my hands and started seeing it as a thing that's at one with outer space and nothingness.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
You have to go hunting to know the excitement of seeing someone get their first deer. It's a thrill for them. It is.
When I first came in the league, there were only two officials. So you could really get away with a lot.
I was just a kid, but I was a rotten kid.
I have never been a physically engaged person. Like, I was not an athletic kid. I was the kid who came up with a thousand excuses not to take a gym class. Even now, if I could, I would do all my work from bed.
After I've done a good job, then I can get excited. Obviously, it would be very easy to get carried away, but I wanted to own that excitement.
I auditioned for a musical, and I can't sing. It was a kid's film musical, not a stage show, so I thought I could get away with it.
I came back, Uncle Eddie. Last year, after the Henley, I could have gone to any school in the world -- I could have done anything, but I came back." "You ran away, Katarina." "And now I'm back." "You're still running.
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