A Quote by Louisa May Alcott

I never wanted to go away, and the hard part now is the leaving you all. I'm not afraid, but it seems as if I should be homesick for you even in heaven. — © Louisa May Alcott
I never wanted to go away, and the hard part now is the leaving you all. I'm not afraid, but it seems as if I should be homesick for you even in heaven.
I’m not like the rest of you; I never made any plans about what I’d do when I grew up; I never thought of being married, as you did. I couldn’t seem to imagine myself anything but stupid little Beth, trotting about at home, of no use anywhere but there. I never wanted to go away, and the hard part now is leaving you all. I’m not afraid, but it seems as if I should be homesick for you even in heaven.
I'm pretty open. I'm not afraid of men. I'm not afraid of women. I'm not afraid of sex and sexuality. It's part of me, and it comes out in the photograph. It's as if at that moment when I'm taking pictures, I'm not a man and I'm not a woman. If I see a moment that seems true to me, that seems honest, whether it's female or male, it's part of me as well.
For even if the Word in His immeasurable essence united with the nature of man into one person, we do not imagine that He was confined therein. Here is something marvellous: the Son of God descended from heaven in such a way that, without leaving heaven, He willed to be borne in the virgin's womb, to go about the earth, and to hang upon the cross; yet He continuously filled the world even as He had done from the beginning.
Are you ever afraid to go to sleep? Afraid of what comes next?” He smiles a sad little smile and I swear it’s like he knows. “Sometimes I’m afraid of what I’m leaving behind,” he says.
I was told that I don't understand radio, should go into sales and all this. It was only my desire and love for what I wanted to do and what I was doing that kept me plugging away. I never at any time was motivated by an "I'll show them" attitude. Never was I motivated by, "I'll show them," that wasn't it. I just loved it. It was what I wanted to do. I was lucky to learn early in life what I wanted to do, and I knew how to define success, even though by the time I'm 33 I still hadn't had any. I was just on the verge of it, and I'd been working since I was 16.
Every time I see a paper, for what seems like a year or more, there is a story saying that I am leaving City or that I want to go. But I've never said that, so the stories don't come from me. I've always wanted to stay at City and fight for my place.
Go ahead, work hard and never be afraid to try something. Even if you don't make it, at least you can say you tried
Go ahead, work hard and never be afraid to try something. Even if you don't make it, at least you can say you tried.
I'm homesick. But I cannot go back to Syria. I lost everything. And I'm against the Syrian regime, so there is no way to go back. I'm really homesick.
There's still, even now, a part of me that can't believe that I got published. That part of me has never gone away.
I leave, and the leaving is so exhilarating I know I can never go back. But then what? Do I just keep leaving places, and leaving them, and leaving them, tramping a perpetual journey?
You should be afraid. Very afraid. Before, I told you if you wanted to end things between us, I would let you go, but, Leila"--his voice deepened--"I lied.
You can see the cruelest part of the world, the cruelest part. But then on the other side, you see the most beautiful part. Do you know? It's like you go from one extreme to the next. And they're both worth it because you wouldn't see the one without the other one. But that cruel part is damn cruel and you'll never forget it. But that heaven is heaven.
Every dreamer knows that it is entirely possible to be homesick for a place you've never been to, perhaps more homesick than for familiar ground.
Generally people are afraid. They pretend they aren’t; it’s part of the denial. We’re all part of it. As much as we pretend otherwise, we want what’s comfortable, and we’re afraid of the different. We’re afraid of change. It happened in Los Angeles, too, when the first models of Disney Hall were shown. You should have heard the outcry from the public, critics and press. It was called “broken crockery,” “outlandish” and blah blah blah. Of course now the feeling is different.
I'm idealistic so my life outlook is to never give up. Even if something seems absolutely impossible, I will run as hard as I can go.
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