A Quote by Louisa May Alcott

John Brooke is acting dreadfully, and Meg likes it! — © Louisa May Alcott
John Brooke is acting dreadfully, and Meg likes it!
Meg's high-heeled slippers were dreadfully tight, and hurt her, though she would not own it; and Jo's nineteen hair-pins all seemed stuck straight into her head, which was not exactly comfortable; but, dear me, let us be elegant or die.
It was really an experience, being my first time directing a movie. The scenes that I was in, Brooke really directed me all the time. And the scenes that both of us were in, Brooke directed those. Come to think of it, Brooke directed most of the scenes.
You have endorsements, everyone from Meg Whitman to the neocon John Negroponte and others who are all saying, you know, we're with Hillary [Clinton] now.
Someone called my character the Meg Ryan of the Broken Hearts bunch. Now maybe the perception is that I'm a Meg Ryan type.
John Kerry wants to be the hero in his own drama. He likes King Arthur and the Round Table. He likes the young swashbuckling Churchill, and he loved the early antics of Theodore Roosevelt.
Meg, don't you think you'd make a better adjustment to life if you faced facts?" I do face facts," Meg said. They're lots easier to face than people, I can tell you.
Any system which says, This is a rotten world, wait for the next, give up, do nothing, succumb--that may be the basic Lie and if we participate in believing it and acting (or rather not acting) on it we involve ourselves in the Lie and suffer dreadfully... which only reinforces that particular Lie.
The working-class is now issuing from its hiding-place to assert an Englishman's heaven-born privilege of doing as he likes, and is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes.
Meg, I give you your faults." "My faults!" Meg cried. "Your faults." "But I'm always trying to get rid of my faults!" "Yes," Mrs. Whatsit said. "However, I think you'll find they'll come in very handy on Camazotz.
The trouble with talking about acting is that it's like sex. It's enormously fun to do but just dreadfully embarrassing when you have to talk about it.
Brooke and I share some similarities. We're both passionate, fiercely loyal people. But she is far more outlandish than I'd ever be, particularly with her body and her sexuality. Brooke has made herself weak for men - she only gained self-confidence from their attention.
I didn't look at the previous 'A Wrinkle in Time' movie. I wrote ideas down from the book, but I didn't really want to copy that Meg. We're the same, but we're different at the same time. I wanted to make myself Meg. I didn't want to use somebody else or use a reference.
Not everyone likes seeing a strong, buff guy, but everyone likes women. We compete just as hard as men do, and we can do the acting just as well.
The mind likes a strange idea as little as the body likes a strange protein and resists it with similar energy. It would not perhaps be too fanciful to say that a new idea is the most quickly acting antigen known to science.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
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