A Quote by Louisa May Alcott

I want to be great, or nothing. I won't be a commonplace dauber, so I don't intend to try any more. — © Louisa May Alcott
I want to be great, or nothing. I won't be a commonplace dauber, so I don't intend to try any more.
I don't intend to be a performing flea any more. I was the dreamweaver, but although I'll be around I don't intend to be running at 20,000 miles an hour trying to prove myself. I don't want to die at 40.
I didn't intend. The word "intend" is the wrong word for what I do. It's just that it's something you do, and you can't not do. If you want to do it, and you don't intend to, you do it anyway. The word "intend" is wrong. The word "pressure" is right. It's like any art form.
I don't want any more vicissitudes, I don't want any more of this try, try again stuff. I just want out. I've had it. I am so tired. I am twenty and I am already exhausted.
I try and take the commonplace - and some of it is writ large, like death - take the commonplace and make it universally resonant, revelatory, and beautiful at the same time.
Did any great genius ever enter the world in the wake of commonplace pre-natal conditions? Was a maker of history ever born amidst the pleasant harmonies of a satisfied domesticity? Of a mother who was less than remarkable, although she may have escaped being great? Did a woman with no wildness in her blood ever inform a brain with electric fire? The students of history know that while many mothers of great men have been virtuous, none have been commonplace, and few have been happy.
It's very stressful being the No. 1 player in the world. You're in the limelight a lot. You've got more things to do when you get to tournaments, more things to do off weeks. But I wouldn't change it in any way because this is exactly where I want to be. I want to try and stay here as long as I can while I can because nothing beats this feeling.
The characteristic of the hour is that the commonplace mind, knowing itself to be commonplace, has the assurance to proclaim the rights of the commonplace and to impose them wherever it will.
If you have a radio, the next three months is a good time to have it quit working. All you will hear from now until the 4th of November will be: 'We must get our government out of the hands of predatory wealth.' 'The good people of this great country are burdened to death with taxes. Now what I intend to do is ...' What he intends to do is try and get elected. That's all any of them intend to do. Another one that will hum over the old static every night will be: 'This country has reached a crisis in its national existence.'
I like playing characters that are true to life, and there's no guarantee that any of us are going to be okay, but we intend to be, and we take the time to try to be. I don't think it's any different for a character.
I have added some ploughmen to the landscape form the park pales which is a great help, but I must try and warm the picture a little more if I can... but I look to do a great deal better in future. I am determined to finish a small picture in the spot for every one I intend to make in future. But this I have always talked about but never yet done - I think however my mind is more settled and determined than ever on this point.
Commonplace people have an answer for everything and nothing ever surprises them. They try to look as though they knew what you were about to say better than you did yourself, and when it is their turn to speak, they repeat with great assurance something that they have heard other people say, as though it were their own invention.
To me, nostalgia is nothing more than a mindless plundering of the past for the commonplace.
I do not intend, we do not intend, that any party shall survive, if we can help it, that will lay the confiscating hand upon Americans in the interest of England or of Europe.
Before you are interviewed for the job you want, try on the complete outfit you intend to wear.
As a rule, said Holmes, the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify.
What I really intend to achieve is to be that fly on the wall, and to try and observe as much as I can without affecting what I've seen. I want to get a sense that what I'm seeing in a place would have happened had I not be there. Were I to make myself an important presence, that would be lost. The danger of a certain other kind of reporting is that people give you what they think you are seeking. People know what you want. When I was traveling in Congo and Rwanda and people asked me what I wanted, I would say, "Nothing. I just want to be here." And that immediately disarmed them.
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