A Quote by Louise Bourgeois

In my sculpture, it's not an image I am seeking, it's not an idea. My goal is to re-live a past emotion. My art is an exorcism, and beauty is something I never talk about. — © Louise Bourgeois
In my sculpture, it's not an image I am seeking, it's not an idea. My goal is to re-live a past emotion. My art is an exorcism, and beauty is something I never talk about.
In the 1980s, Josef Beuys planted the seed that activism could be considered as art. I am influenced by the idea of his idea of social sculpture.
Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.
Living through art is a better way to live - not necessarily making art, but being surrounded by art. I think it's just as banal as trying to show my version of the beauty in the world. It's about beauty at the end of the day.
There are times I am happy. There are times I am sad. But I always try to separate emotion from the need to reach for something stronger, deeper. And then no matter the emotion, I can reach for a stability that helps me accomplish what is the goal.
Always make your work be personal. And, you never have to lie... There is something we know that's connected with beauty and truth. There is something ancient. We know that art is about beauty, and therefore it has to be about truth.
Beauty in art is truth bathed in an impression received from nature. I am struck upon seeing a certain place. While I strive for conscientious imitation, I yet never for an instant lose the emotion that has taken hold of me.
Since art is the expression of beauty and beauty can be understood only in the form of the material elements of the true idea it contains, art has become almost uniquely feminine. Beauty is woman, and also art is woman.
When someone is seeking, it happens quite easily that he only sees the thing that he is seeking; that he is unable to find anything, unable to absorb anything, because he is only thinking of the thing he is seeking, because he has a goal, because he is obsessed with his goal. Seeking means: to have a goal; but finding means: to be free, to be receptive, to have no goal. You, O worthy one, are perhaps indeed a seeker, for in striving towards your goal, you do not see many things that are under your nose.
It's really the artist in me that loves the idea of an image and an image that provokes an emotion.
I am fascinated by language in daily life: the way it can evoke an emotion, a visual image, a complex idea, or a simple truth.
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
My career always involved being the person in charge of what I was portraying to people. "I never wanted to be an image of something I didn't believe in, an image that somebody else had put together. The idea of that just really scared me, more than the idea of failing.
The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.
I couldn't portray a women in all her natural loveliness.. I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.
I believe love at first sight is possible. Centuries of literature and art and beauty has been dedicated to that idea, so who am I to argue, even if I've never experienced it?
An image of the earth, its landscapes, directly affects people. The beauty of the earth creates enormous emotion, and through that emotion, you can transmit knowledge and raise consciousness
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