A Quote by Louise Bourgeois

Art is restoration: the idea is to repair the damages that are inflicted in life, to make something that is fragmented - which is what fear and anxiety do to a person - into something whole.
What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
A good idea if not acted upon produces terrible psychological pain. But a good idea acted upon brings enormous mental satisfaction. Got a good idea? Then do something about it. Use action to cure fear and gain confidence. Here's something to remember: Actions feed and strengthen confidence; inaction in all forms feeds fear. To fight fear, act. To increase fear--wait, put off, postpone.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.
Poetry is an intimate act. It's about bringing forth something that's inside you--whether it is a memory, a philosophical idea, a deep love for another person or for the world, or an apprehension of the spiritual. It's about making something, in language, which can be transmitted to others--not as information, or polemic, but as irreducible art.
Worldviews have four elements that help us understand how a person's story fits together: creation, fall, redemption, and restoration. "Creation" tells us how things began, where everything came from (including us), the reason for our origins, and what ultimate reality is like. "Fall" describes the problem (since we all know something has gone wrong with the world). "Redemption" gives us the solution, the way to fix what went wrong. "Restoration" describes what the world would look like once the repair begins to take place.
Writing can be bad and still be part of something good. That 'art' is really 'artifact,' Exhibit A, Exhibit B, of something else: a person's whole experience and life. And that always there's the chance that this will fail. That things will not work out.
We may spark something or set something in motion in another person's life by something we've done. Perhaps in a car accident we injure someone. Perhaps as a manager, we fire someone. There are a lot of things that could precipitate something negative in another person's life. But does that make us responsible for everything that follows from it? Is there a statute of limitations?
And I, who timidly hate life, fear death with fascination. I fear this nothingness that could be something else, and I fear it as nothing and as something else simultaneously, as if gross horror and non-existence could coincide there, as if my coffin could entrap the eternal breathing of a bodily soul, as if immortality could be tormented by confinement. The idea of hell, which only a satanic soul could have invented seems to me to have derived from this sort of confusion - a mixture of two different fears that contradict and contaminate each other.
The psychological condition of fear is divorced from any concrete and true immediate danger. It comes in many forms: unease, worry, anxiety, nervousness, tension, dread, phobia, and so on. This kind of psychological fear is always of something that might happen, not of something that is happening now.
Life means to have something definite to do-a mission to fulfill-and in the measure in which we avoid setting our life to something, we make it empty. Human life, by its very nature, has to be dedicated to something.
When I take on something, I take the whole thing on. It's not even a question of separating, "Oh, am I going to be naked?" If you know you have to do something in life, for me, I go with my whole person.
You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen. When you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.
Anxiety is not fear, exactly, because fear is focused on something right in front of you - a real and objective danger.
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