A Quote by Louise Bourgeois
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
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It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.
I'm kind of claustrophobic... It's not even like enclosed spaces. It's like I hate being stuck in one band, you know? Just being stuck is the biggest drag, for fear that, you know, just that you can't get out.
I'm claustrophobic. I can't go into haunted houses. They have these tight, dark, enclosed space. I freak out. That's my phobia. It gets me out of stuff. Someone asks me to do something and I tell them I can't because I'm claustrophobic.
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
If you're a perfectionist and you know you're about to do something at which you cannot be perfect, then that is daunting because you know what your heart is like and the way you approach your work.
And marking off time struck me as something like counting empty spaces—spaces you know can't ever be filled.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
I don't even know why, but I've just always done it - I don't walk on handicapped parking spaces. I don't like to step on the blue lines. I always step over them. I don't know what the deal is. I don't know if it's a fear of injury, or a disrespectful thing, or if I just don't want to think about something like that happening.
It seems that there's a constant humbling - I don't know if that's the right word - because things are disproved all the time with new discoveries, at least that's the way it feels sometimes in the layman's world. Like, people will make proclamations of something to be true, and then 50 years later that's proven wrong because there's something else.
I suffered a lot from social anxiety, and being on set was really scary to me. That fear can cause limits in your art and your performance because you're not going all in because there is this little thing in your head.
Such a person needs meditation more than anyone else because they are headed for a crisis. If stress and anxiety are so great that you can't even imagine a calm clear mind, that indicates you are reaching your coping limits, and need to begin something like meditation just for the stress reduction benefits.
I don't know if it's irrational, and I would never say this before, but I think I'm a little bit agoraphobic when I'm in huge crowds of people. I mean, it's claustrophobic, probably - small spaces and large groups of people, anxiety rises for me.
For a date, I'd like to do something different to drinks or dinner - like walking around Camden for a day in the sun, or something weird, like skydiving. Then at least if you don't get on you've had fun.
Satire works in a bunch of specific ways, like a very precisely-geared bomb. It's a bit like something that looks harmless, and you swallow it, but once it's inside you it's too late, and it triggers, blowing up. And it's your specific inner beliefs and faulty arguments that trigger a satire bomb. If your arguments work, the bomb doesn't trigger, it doesn't need to.
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