A Quote by Louise Brealey

Everyone was at Martin Freeman’s house, and Martin was there and his wife was sat at his feet and Amanda [Abbington, Freeman’s wife] was crying and so was I and I tried to laugh it off but that turned into this enormous sob in front of everyone and I just thought, oh brilliant. I just found it terribly moving. Martin is just amazing in that last bit, it’s beautiful, that kind of incomprehension and devastation, it’s fantastic, with his sort of military shuffle at the grave. Fantastic.
It was great. I got to hang out with him [Martin Freeman as Bilbo Baggins], and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film.
Martin Freeman as [Bilbo] is just a revelation.
I would be Jesse Martin ..., but not to be his character, just so I could be Jesse Martin and sing like Jesse Martin for a day.
The first 'Saturday Night Live' season I was heavily interested in was the one with Martin Short, Billy Crystal, and Christopher Guest. There was just something about Martin Short in particular. I really related to him and hung on his every word and mannerism, so I started impersonating all of his characters as an 8th grader.
Martin Freeman is a genius, he really is. He gives you every color of the rainbow in every take and it's wonderful just to play off of him and opposite him.
I've always had a sneaking fondness for Martin Van Buren. He wrote his autobiography, you know, and never once mentioned his wife. Now that's what I call a mans man.
The God in whose hands are all our days and ways, did cast into my hand (one day) a book of Martin Luther's ; it was his Comment on the Galatians! ... I found my condition in his experience so largely and profoundly handled, as if his book had been written out of my heart ... I do prefer this book of Martin Luther upon the Galatians, excepting the Holy Bible, before all the books that ever I have seen, as most fit for a wounded conscience.
John Martin was a great, complex folk singer, and later on, his music became more and more melancholic as he went through a separation with his wife.
Martin guitars have now brought out, you know, on a more traditional level, the Stephen Stills' model of Martin guitars. It's beautiful. I just went inside. I bought one immediately.
My life has never been defined as Roland Martin, CNN; Roland Martin, TVOne; or Roland Martin, 'Tom Joyner Morning Show.' I'm appreciative of all of those platforms, but I've done all different things. I'm still Roland Martin.
Invariably, when people read the headline about Martin Shkreli, they hate Martin Shkreli. When they get to know Martin Shkreli, they love Martin Shkreli.
We [Americans] know Martin Luther King Jr. as a statue. We know him as a holiday. We know him as a speech. We don't know him as a man. Most people don't even know the whole speech, just "I have a dream." They don't know what his speaking voice was like, how he looked at his wife, or that he had four kids.
Obviously, when you walk into a room and see people like Ashley Judd and Morgan Freeman and Charles Martin Smith behind the camera, it's big time. You just try not to think about it, try and keep up, hold on for the ride.
Martin Lawrence had no filter, and to me that was the greatest half hour of all time. Martin was ahead of his time.
Can you just saw his arm off while we're here and get me loose? (Amanda) I could do that, but he needs his more. I'd cut yours off before I did his. (Tate) Oh, great, what are you, his Igor? (Amanda) Wrong movie, Igor was Frankenstein's flunky. Renfield is the one you're thinking of, and no, I'm not Renfield. Name's Tate Bennett. Parish coroner. (Tate)
I was amazed to go Oscar and win it. It was fantastic getting up on the stage there and looking down. I thought, "That guy looks like Steve Martin, and that guy's like Arnold Schwarzenegger." But it was Steve Martin, and it was Arnold Schwarzenegger. Then they have this terrible kind of conveyor belt backstage - literally - where they take you to this big hangar where the world's press are gathered, and they make you stand on a stage, and they introduce you.
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