A Quote by Louise Brown
It took a brave editor in the U.S. to sign a contract for Dancing Girls, and without her belief in the book, I'm not sure it would ever have found its way into print.
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A good businessman never makes a contract unless he's sure he can carry it through, yet every fool on earth is perfectly willing to sign a marriage contract without considering whether he can live up to it or not.
A crease found it's way onto Joss's forehead. Because he was certain that Sirus was wrong. Girls were more complicated than boys. Girls communicated in a language that only they understood. And Joss wasn't sure at all that he would ever understand them.
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
I would have had a clause in my contract; I would've definitely put some fine print in my contract that said, "If the president leaves, I'm leaving." That'd be the bottom line.
Until I became a nurse, no one had ever asked me to sign a book contract. I had been writing for decades, read thousands of books, and even worked in publishing for 10 years. Who knew that nursing would be my break?
If he took her into his arms, he would keep her. He wouldn't let her suffer the way the other mortals had when he'd left them. He would keep her, with his court's permission or without it. Irial wouldn't take her, and Keenan wouldn't stand between them.
I signed my first book contract without paying much attention to what it said. I didn't know at the time that the book would be a best seller or that it would one day inspire a Netflix series. I just needed the money.
I always swore I would never write a book. But I read Clare Balding's and it was really interesting and so prettily written and lovely and not too revealing. I went to her book launch and met her editor who said 'why don't you think about it? You can do it however you want, based on your characters or you.'
Remember the Y2K bug? Ahhh, those were the days... I'll never forget that New Year's Eve. My wife and I were in Golden Bay dancing with her parents to Abba songs when suddenly, the rain began to fall. I took it as a sign from Mother Nature that everything was gonna be okay. Sure enough, the clock struck 12, and life went on as normal.
When I found the book was condemned as soon as the book was printed, or rather as soon as it was set up ready to print, I held it in plates for a year nearly, waiting to see what would come out of all this discussion.
I lived through a classic publishing story. My editor was fired a month before the book came out. The editor who took it over already had a full plate. It was never advertised. We didn't get reviewed in any major outlets.
If anyone ever wonders why there's nothing coming from me, it's not my fault. I'm doing the work. No, I haven't deteriorated or gone insane. Suddenly, I just can't get anything into print. And apparently I'm not alone in this. There are people of very high standing, authors who are having problems. So I have been told. In my own case, the more disturbing element is the editor-in-chief who said to me, "I think this book is terrific. It ought to be in print. I can't publish it -- I've been told I mustn't." The indication is that I'm not writing what people want to read, but I never did.
I figured, 'If I ever get offered a chance to sign a deal, I'll only do it if I got to do it how I want.' So my contract is structured in such a way that I'm really protected.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
If I found the right guy, I think I would get married. Maybe. I just feel like it's just a contract. Why sign any more contracts, really?
The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done!
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