Flirtation and coquetry are so nearly allied as to be identical; both are the art of successful and pleasing deception.
Coquetry is the essential characteristic, and the prevalent humor of women; but they do not all practice it, because the coquetry of some is restrained by fear or by reason.
Art is a deception that creates real emotions - a lie that creates a truth. And when you give yourself over to that deception, it becomes magic.
Art is the most beautiful deception of all. And although people try to incorporate the everyday events of life in it, we must hope that it will remain a deception lest it become a utilitarian thing, sad as a factory.
Art is the most beautiful deception of all! And although people try to incorporate the everyday events of life in it, we must hope that it will remain a deception lest it become a utilitarian thing, sad as a factory.
Coquetry whets the appetite; flirtation depraves it. Coquetry is the thorn that guards the rose - easily trimmed off when once plucked. Flirtation is like the slime on water-plants, making them hard to handle, and when caught, only to be cherished in slimy waters.
A girl's coquetry is of the simplest, she thinks that all is said when the veil is laid aside; a woman's coquetry is endless, she shrouds herself in veil after veil, she satisfies every demand of man's vanity, the novice responds but to one.
What is the most fascinating kind of self-deception to me, and a kind that isn't necessarily unhealthy, is what Friedrich Nietzsche called "strategic self-deception." The kind of self-deception that you can engage in with your eyes wide open. You do it because you say, "There's things that I couldn't accomplish without this kind of self-deception."
The secret of a successful art career is to make more art that folks think they need than pieces they just want. When a piece of art emotionally connects with a person the work becomes a need. You are then on your way to becoming successful.
Why do most great pictures look uncontrived? Why do photographers bother with the deception, especially since it so often requires the hardest work of all? The answer is, I think, that the deception is necessary if the goal of art is to be reached: only pictures that look as if they had been easily made can convincingly suggest that beauty is commonplace.
If you asked me what makes the world go round, I would say self-deception. Self-deception allows us to create a consistent narrative for ourselves that we actually believe. I’m not saying that the truth doesn’t matter. It does. But self-deception is how we survive.
The art of pleasing is the art of deception.
Politicians are masters of the art of deception.
Art is the most beautiful deception of all!
Self-deception is nature; hypocrisy is art.
It may be that the deep necessity of art is the examination of self-deception.