A Quote by Louise Erdrich
If life's a joke, then suicide's a bad punch line.
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When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
In the end, perhaps we should simply imagine a joke; a long joke that's continually retold in an accent too thick and strange to ever be completely understood. Life is that joke my friends. The soul is the punch line.
Life is a cruel, horrible joke and I am the punch line.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
It was almost funny. Life seemed downright accidental in its brevity, and death a punch line to a lousy joke.
With music, you're laying it all out there. They're judging you right away, and you can lose them quick. With the comedy, you've always got another joke to redeem yourself. Or, even if you've only got one joke, at least the punch line is at the end. Then they have to at least pay attention until the end.
How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.
Micro humor is a joke that's contained in the writing: it's a punch line, it's a turn of phrase, it's something that you can see on the page, and no matter who's saying it, it is, in and of itself, a funny line.
They all think any minute I'm going to commit suicide. What a joke. The truth of course is the exact opposite: suicide is the only thing that keeps me alive. Whenever everything else fails, all I have to do is consider suicide and in two seconds I'm as cheerful as a nitwit. But if I could not kill myself -- ah then, I would. I can do without nembutal or murder mysteries but not without suicide.
In general, the straight line of a joke sets up a premise, an expectation. Then the funny ending - the punch line - in a sense contradicts the original assumption by refusing to follow what had seemed a reasonable train of thought. Many jokes involve that simple matter of leaping outside what had appeared to be the rules of the game at the moment.
If life a joke then I’m waiting for the punch. You all about the beef but me, I’m bout the bun.
Maybe I was what Leah thought she was. Some kind of dead end that shouldn’t be passed on to another generation. Or maybe it was just that my life was a big, cruel joke, and there was no escape from the punch line. -Jacob
I've spent my fortune, tarnished my public view and made myself the brunt of punch line after punch line.
I always told everybody the perfect joke would be where the setup and punch line were identical.
...we ask: Why suicide? We search for reasons, causes, and so on.... We follow the course of the life he has now so suddenly terminated as far back as we can. For days we are preoccupied with the question: Why suicide? We recollect details. And yet we must say that everything in the suicide's life- for now we know that all his life he was a suicide, led a suicide's existence- is part of the cause, the reason, for his suicide.
On stage you look much larger than you are. You can have subtle changes of timing; how you place a punch line in a joke or movement or emotion according to an audience.
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