A Quote by Louise Erdrich

To think about love and passion and political correctness all together, it doesn't work. Art has to go way past the political to be effective. — © Louise Erdrich
To think about love and passion and political correctness all together, it doesn't work. Art has to go way past the political to be effective.
Political correctness gets in the way of all too many things in this country of ours, I am not a subscriber of political correctness by any means, shape or form.
As much as some people like to put down 'political correctness,' if it wasn't for political correctness, I wouldn't be free right now.
Political correctness has changed everything. People forget that political correctness used to be called spastic gay talk.
Drawing the kind of comics that I do takes so long that to specifically address something as transitory as a political matter in it would be about as effective as composing a symphony with hopes that it would depose a despot. On top of that, I personally don't think that my version of art is the best way to deal with political issues at all, or, more specifically, the place to make a point. Not that art can't, but it's the rare art that still creates something lasting if its main aim was purely to change a particular unfair social structure.
Will his work survive? Alas, I worry that it will not. As an American liberal with impeccable credentials, I would like to say that political correctness is going to kill American liberalism if it is not fought to the death by people like me for the dangers it represents to free speech, to the exchange of ideas, to openheartedness, or to the spirit of art itself. Political correctness has a stranglehold on academia, on feminism, and on the media. It is a form of both madness and maggotry, and has already silenced the voices of writers like James Dicky across the land.
Nidal Hasan communicated with Anwar al-Awlaki, a known radical cleric, asked about waging jihad against his fellow soldiers. The problem is because of political correctness, the [Barack] Obama administration, like a lot of folks here, want to search everyone's cell phones and e-mails and not focus on the bad guys. And political correctness is killing people.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
Deference has been codified in American life as political correctness. And political correctness functions like a despotic regime. It is an oppressiveness that spreads its edicts further and further into the crevices of everyday life.
All good art should be political, I think, and inevitably it all becomes political really, in one way or another.
Whether you want it or not, your genes have a political past, your skin a political tone. your eyes a political color. ... you walk with political steps on political ground.
Questions about political theatre always overlook America's most powerful and effective political theatre, which is always thriving: the American musical. The politics is conservative but, to my mind, effective and insidious.
There is a term called political correctness, and I consider it to be a euphemism for political cowardice.
We need less political correctness and more political courage.
National Standards was not a narrative of past events but was leftwing revisionism and Political Correctness.
I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
Political correctness is neither political nor is it correct. It amounts to social censorship, and the sooner we spit it out, the better.
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