A Quote by Louise Erdrich

It kills your writing if you try to manipulate it with crude politics. — © Louise Erdrich
It kills your writing if you try to manipulate it with crude politics.
You may think me crude, and probably I am crude, but I am not so crude as I was, for I am clever enough to see that the girl of nineteen who thought herself a genius was only an unusual girl writing her heart out.
Man's destructive hand spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
In Bach there is still too much crude Christianity, crude Germanism, crude scholasticism; he stands on the threshold of European (modern) music, but he looks back from there to the Middle Ages.
Politics disappears; it vanishes. What remains constant is human life. So I try to develop a perspective in my writing where politics is just one of the pieces of furniture in this furnished world. It is not the purpose. It is not the goal.
When I'm writing, I can always play around with tense. I can always make past present. I can always kind of manipulate, and I can always be delusional in a way that's completely self-serving. With film, it's like, the camera can't really lie. It can manipulate to a certain extent.
I've always believed that you have to have the skills before you destroy the skills. If you want to be crude, be crude, but don't be crude because you don't know how to do it, because you're not perfect at drawing and pattern-cutting.
People are so obsessed with making their careers and having a big house; then you realize that kills your dreams. It even kills what makes your life because you get so busy inside.
Through . . . lies you try to run your life and manipulate others. . . . Lies become an inhibitor in your relationship . . . .
Your job as a superstar is to manipulate the audience and try to tell your story. I like the dynamic of the audience.
Once we understand how molecules are formed, we can manipulate them. If you can manipulate molecules, you can manipulate genes and matter, you can synthesize new material - the implications are just unbelievable.
Who kills a man kills a reasonable creature, God's image; but he who destroys a good book, kills reason itself, kills the image of God, as it were, in the eye.
I mean, whatever kills you kills you, and your death is authentic no matter how you die.
Who kills a man kills a reasonable creature, God's image, but thee who destroys a good book, kills reason its self.
One kills a man, one is an assassin; one kills millions, one is a conqueror; one kills everybody, one is a god.
When you're playing such brilliant music every day, then the last thing you ever want to do is try to write something of your own that's crude and not as good.
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