A Quote by Louise Gluck
Of two sisters one is always the watcher, one the dancer.
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It was always said you couldn't have two sisters less alike. In a way [princess] Elizabeth was always internalizing everything and [princess] Margaret was always externalizing everything, so that became the basis. The storyline becomes about these two sisters: they're fighting for their position or trying to establish their identity in the world alongside each other and in relation to this establishment which only those two were a part of.
I was embarrassed that I even wanted to become an actress because coming from L.A., with two older sisters in the business and a mom who had been a ballet dancer, it was such a cliche.
We have two older brothers and two younger sisters; Sam and I are in the middle, and I've always felt protective and closest to him.
I had two sisters carried away in a chain-gang - one of them left two children. We were always uneasy.
FIRST WATCHER Why do people die? SECOND WATCHER Perhaps because they don't dream enough.
The theme of sisters - of missing sisters, of needing sisters, the special love that sisters share or the antagonism sisters share - is something that is very close to me.
For the younger sisters, we always look up to the older sisters because they're always ahead of us and they always win.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
'The Sisters Brothers' started out as a little bit of dialogue between these two men who became Eli and Charlie Sisters.
Since I was a kid, I've been a dancer, and, of course, I'll always be a dancer till the day I die.
Dance was always part of my life because I was a dancer and my mother was a dancer, and I love the theater.
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
I always wanted to be a dancer. I danced for maybe 16 years. So I would have loved to have been a dancer in the past.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
Still, I started as a group dancer and became known to the public as a dancer. So, dancing will always remain close to my heart.
Evolved? As a dancer? Me? I don’t fall down as much, unless it’s part of the scripted dance. I don’t step on other people’s toes anymore. I think if I started the show a one out of ten dancer, now I am a two and a half.
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