A Quote by Louise Gluck
Toward his critics, the artist harbors a defensive ace: knowledge that the future will erase the present.
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An artist cannot get along without a public; and when the public is absent, what does he do? He invents it, and turning his back on his age, he looks toward the future for what the present denies.
Man can only be certain about the present moment. But is that quite true either? Can he really know the present? Is he in a position to make any judgment about it? Certainly not. For how can a person with no knowledge of the future understand the meaning of the present? If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?
His knowledge is not like ours, which has three tenses; present, past, and future. God's knowledge has no change or variation.
The artist of the future will live the ordinary life of a human being, earning his living by some kind of labour. He will strive to give the fruit of that supreme spiritual force which passes through him to the greatest number of people, because this conveying of the feelings that have been born in him to the greatest number of people is his joy and his reward. The artist of the future will not even understand how it is possible for an artist, whose joy consists in the widest dissemination of his works, to give these works only in exchange for a certain payment.
We human beings have enormous difficulty in focusing on the present; we always thinking about what we did, about how we could have done it better.... or else we think about the future, about what we're going to do.... But at this precise moment, you also realize that you can change your future by bringing the past into the present. Past and future only exist in our mind. The present moment, though, is outside of time, it's Eternity.... It isn't what you did in the past the will affect the present. It's what you do in the present that will redeem the past and thereby change the future.
A gentleman has his eyes on all those present; he is tender toward the bashful, gentle toward the distant, and merciful toward the absent.
It has always been the artist who realizes that the future is the present and uses his work to prepare the grounds for it
The Great Work of Magic is the collapsing of the future into the immediate present; the magician seizes reality and lives now, free from the bonds of his past, and knowing that the future is the Manifestation of his Will.
Besides, whoever keeps the future in front of him and the past at his back is doing something else that's hard to imagine. For the image implies that events somehow already exist in the future, reach the present at a determined moment, and finally come to rest in the past. But nothing exists in the future; it is empty; one might die at any minute. Therefore such a person has his face toward the void, whereas it is the past behind him that is visible, stored in the memory.
The Present is the womb of the future.
A greater future happiness can be had only by investing in the present correctly.
Look after the present and the future will look after itself.
It is not the present which unfluences the future, thou fool, but the future which forms the present. You have it all backward. Since the future is set, an unfolding of events which will assure that future is fixed and inevitable.
From the writer's point of view, critics should be ignored, although it's hard not to do what they suggest. I think it's unfortunate to have critics for friends. Suppose you write something that stinks, what are they going to say in a review? Say it stinks? So if they're honest, they do, and if you were friends you're still friends, but the knowledge of your lousy writing and their articulate admission of it will be always something between the two of you, like the knowledge between a man and his wife of some shady adultery.
All our knowledge - past, present, and future - is nothing compared to what we will never know.
The future will erase everything--there's no level of fame or genius that allows you to transcend oblivion. The infinite future makes that kind of mattering impossible.
Surely knowledge of the natural world, knowledge of the human condition, knowledge of the nature and dynamics of society, knowledge of the past so that one may use it in experiencing the present and aspiring to the future--all of these, it would seem reasonable to suppose, are essential to an educated man. To these must be added another--knowledge of the products of our artistic heritage that mark the history of our esthetic wonder and delight.
Our deepest calling is not to grow in our knowledge of God. It is to make disciples. Our knowledge will grow -- the Holy Spirit, Jesus promised, will guide us into all truth. But that's not our calling, it is His. Our calling is to prepare the world for Christ's return. The world is not ready yet. And so, we go about introducing a dying world to the Savior of Life. Anything we do toward our own growth must be toward that end.
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