A Quote by Louise Linton

'CSI' was an amazing experience, which, looking back, I was very lucky to get. They shoot an entire episode in eight days, so everything has to be totally slick and professional.
Doing 'CSI: N.Y.' is not 'CSI.' Doing 'CSI: Miami' is not 'CSI: N.Y.,' it's 'CSI: Miami.' It has a very, very specific tone. It has a very specific look. It has a specific way in which they tell their stories that's different from 'CSI: N.Y.' and 'CSI.'
I did a network show in the U.S. before, and I loved it, but you have eight days to shoot an episode, and it's just a ridiculous pace.
Underground, raw movies that come out of nowhere and change everything - they aren't slick-looking. But I have nothing against slick-looking as long as the scripts are funny.
On a soap opera, you'll do an episode and a half a day, and in prime time television, you're hustling to get an episode done in eight days. That's a little bit frustrating sometimes. But there's also something exhilarating about it. It's kind of like live theater in a way, where you get one crack at it.
'Party Down' is the most fun I've ever had working in my life. We shoot 10-episode seasons and we shoot it in 10 weeks, so it's very brief: 4-day episode shoots. You never get sick of anybody, and it never feels like a drag. It's way, way, way too short.
I have been very lucky from the moment I went to my first audition, which was for 'CSI: New York,' and I got it.
'Kaafir' is an eight-episode series; but while shooting, you really don't know which part is for which episode.
I was talking to Shonda Rhimes the other day and I said, "I. Do. Not. Know. How. You. Do. This." While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing.
The very first big photo shoot I ever did was with Bruce Weber. I couldn't believe this guy was taking my picture, so when he told me to get in the bathtub, I just did. It's only now, looking back, that I realise, you don't have to do everything people tell you.
We live in a homogenized world, where it's hard to get excited when everything is slick and professional. The interesting things are the dull things.
That's the words: "So I'm back to the velvet underground" - which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff - "back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
My feeling is, from when I started on 'Breaking Bad,' there's no reason to pick and choose because every episode is great. Whatever episode you get, you're lucky to do it.
I used to think I knew everything, but older you get the more you see other areas. If you could read everything about both sides, you'll pretty much be in the middle again, which is the state you had when you were totally ignorant. So my theory is if you maintain total ignorance - which isn't easy, but I try - you'll be just as far ahead as if you'd spent days and days reading about the whole issue. And you have that much extra time to play Pac-man.
I am a total workaholic. If I don't shoot for two days, I get uncomfortable at home. I won't comment on my personal life. That is totally out of bounds. When I do get married, everyone will know.
Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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