A Quote by Louise Linton

It's the life of an actor to always be questioning, always be wondering. There is no occupation in the world less dependable. — © Louise Linton
It's the life of an actor to always be questioning, always be wondering. There is no occupation in the world less dependable.
I know I'm honest and dependable, usually. I know I'm always dependable for my wife. I'm always at home and I'm always there to help.
With the Jews, the questions are always open; we're always questioning. I love that questioning tradition.
I think a lot of the questions - questioning reality and the self and the desire to change, to me are always at the heart of life. No matter how old you are, to me life is always about changing and growing and discovering and that's not always easy.
Something that has always attracted me to even taking on the occupation of actor is the idea that I could be lucky enough to portray different characterizations from different places in the world, whether it's speaking another language or taking on a dialect and building a history from where they were born. I was very attracted to that concept, in becoming an actor.
The only dependable law of life - everything is always worse than you thought it was going to be.
I was never a very dependable employee for anything. Perfect for the actor's life!
I'm incapable of truly relaxing. I remember when I was younger and less wise or experienced, actors that I knew would always talk about jobs ending and wondering whether they were ever going to work again. Now that's my life.
You described the feeling you’d always had of being misplaced, of always standing to one side of yourself, of watching yourself in the world even as you were being in the world, and wondering if this was how everyone felt. That you always believed that other people had a clearer idea of what they were doing, and didn’t worry quite so much about why.
But always and sometimes questioning the old modes And the new wondering, the poem, growing up through the floor, Standing tall in tubers, invading and smashing the ritual Parlor, demands to be met on its own terms now, Now that the preliminary negotiations are at last over.
As our knees and hips and eyesight deteriorate, we become more dependable, less impulsive, kinder, and less moody. Psychologists call this the maturity principle. My own life experience fits this principle to a T.
Superstars come and go. I want to make sure I am always a producer's actor. I may be refused to be called a great actor but I have never troubled any of my producers in my life. Honesty always catches the camera, and that is what my strength is.
Even when you're casting, casting is always one of the weirdest subjective areas. You can get a group of people who would decide and say, "This person is a great actor and this person is less than a great actor," but there will always be somebody else who likes that person better than you based on their experience in their other films.
Questioning my spiritual life has always been germane to what I was writing. Always. It's because I'm not quite an atheist and it worries me. There's that little bit that holds on: 'Well, I'm almost an atheist. Give me a couple of months.'
I'm always wondering what else I could be doing. It never feels enough to just use my platform. I'm happy to give a voice to people who may not be heard half as much, but I'm always wondering what else I could be doing, since my position almost requires me to do more. And I want to do more.
But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
Faith never stays put. It's always challenging always questioning. That's what makes it real.
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