A Quote by Louise Mensch

I was educated privately for free because I was a scholarship girl, 100% scholarship girl. I got it on my own merits. I would never dispute that I am a privileged person. Nevertheless, when I started work I made 11 grand a year. I got my book deal on my own, my father didn't write those books for me, I did all of that entirely on my own. I stood for parliament with the amazing support and help of my ex-husband, but it's not something that was handed to me like a peerage. I worked hard and was elected. So my achievements, such as they are, are my own.
I stood for parliament with the amazing support and help of my ex-husband, but it's not something that was handed to me like a peerage. I worked hard and was elected. So my achievements, such as they are, are my own.
I was a very independent, successful girl. I made my own money, I bought my own airline tickets. When I got a paycheck, I went to Bergdorf and I bought my own clothes. There were no rock stars buying me my clothes.
I would tell myself to get more sleep! Believe it or not, I wrote the book while finishing my PhD in English literature. It was wonderful to get away from doing literary scholarship by writing this mythical love story. I think so much of my own love for books and scholarship comes through in The Thorn and the Blossom.
Being half-Palestinian comes with its own challenges, especially after 9/11 and also, working in Hollywood. But denying my own father, the three siblings I have on my father's side, I would essentially be destroying my own essence. So I decided I'm going to be me.
The work I did with Artists Collective led me to a scholarship at Uconn... It led to me getting a scholarship at the Eugene O'Neill Theater Center and a scholarship at Trinity Rep in Providence.
I am not an angry girl, but it seems I've got everyone fooled. Every time I say something they find hard to hear, they chalk it up to my anger and not to their own fear. Imagine you're a girl just trying to finally come clean, knowing full well they prefer you dirty and smiling.
I love sneakers on a girl. I don't know why, but I guess it's because I'm still a young. I really like just like a girl who has style - a girl who does her own thing, is unique in what she's wearing and works what she's got.
I wash with my own soap-wear my own perfume...got to bed on my own sheets... have my own food products. I live on me.
I just got in music because it was a hobby. I got into clubs for free, got to drink for free and left with the hottest girl from the night. I never dreamed it would be for me to go on this kind of ride at all.
Sure there are people who do everything "I do my own beats, my own lyrics, my own mixing, my own mastering, my own art, my own booking, my own managing, my own merch" it's like... ya that sucks, it can't be very good for you, and might be why you aren't getting ahead because you really need to focus on the music where others should be focusing on those other aspects.
I genuinely believed no one would want to marry me. I am difficult to live with. I'm selfish, quite weird and I need time on my own to think - and then I work all night long. That is difficult for someone to deal with. And it would drive me mad - I could never be my own girlfriend!
That adolescent me, the girl who was, as I remember her, insecure, unsure, dreaming, yearning, longing, that girl who was hard on herself, who was cowardly and brave, who was confused and determined-that girl who was me-still exists. I call on her when I write. I am the me of today-the person who has become a woman, a mother, a writer. Yet I am the me of all those other days as well. I believe in the reality of that past.
I've been a teenage girl, too, so I've had my own insecurities and my own struggles that I've got through.
So much of my own life inspires what I write. Whether it's work, family, friends, motherhood, I am a writer who tends to write what she knows. In 'Revenge Wears Prada,' a great deal of my own life finds its way into the book.
. . . you did not seem to me over-fond of money. And this is the way in general with those who have not made it themselves, while those who have are twice as fond of it as anyone else. For just as poets are fond of their own poems, and fathers of their own children, so money-makers become devoted to money, not only because, like other people, they find it useful, but because it's their own creation.
I've never worked hands-on with a producer. I've been on my own writing, just taking beats and doing what I have to do. I've been on my own. To have Timbaland invite me in and say that 'I want to work with you' is amazing. He's a legend.
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