A Quote by Louise Penny

Every year the hunters shot cows and horses and family pets and each other. And unbelievably, they sometimes shot themselves, perhaps in a psychotic episode where they mistook themselves for dinner
After college, I really looked at every single shot that I shot. Pretty much every shot in my sophomore year and my junior year and just watched my form. I watched how I shot it from 3, and I just noticed I was a very undisciplined shooter.
There is one god, greatest among gods and men, who bears no similarity to humans either in shape or thought... but humans believe that the gods are born like themselves, and that the gods wear clothes and have bodies like humans and speak in the same way... but if cows and horses or lions had hands or could draw with the hands and manufacture the things humans can make, then horses would draw the forms of gods like horses, cows like cows, and they would make the gods' bodies resemble those which each kind of animal had itself.
I treat people who write me the way my friends and I all treat each other when we go to each other for advice, which is sometimes with supreme cruelty. I think that's what helps the advice sink in. If somebody comes at you with both barrels, the first shot opens your head, and the second shot allows the advice to get lodged inside.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
When men hire themselves out to shoot other men to order, asking nothing about the justice of their cause, I don't care if they are shot themselves.
I have a big, long episode [in Full Circle] with Calista [Flockhart], and then my character actually carries out through a lot of it because he was a cop investigating this crime. But it is almost hard to remember, even though it wasn't that long ago. We shot it so fast. We literally shot that whole episode in one day.
Heaven and Earth give themselves. Air, water, plants, animals, and humans give themselves to each other. It is in this giving-themselves-to-each-other that we actually live. Whether you appreciate it or not, it is true.
I'd rather have too many good guys than not enough. It's a nice problem. They sort themselves out because when guys fight each other, they determine who deserves the title shot, not me.
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
It's a little known fact that one in three family pets gets lost during its lifetime, and approximately 9 million pets enter shelters each year. That's why it's a wonderful thing to get your pet microchipped and registered with your contact information because then they can be located and the owners can track where their pets are.
The Heimlich maneuver works on house pets. My pit bull was choking on his dinner. I squeezed his stomach and the neighbor's cat shot right out.
What I try to do is reinvigorate strategies and clichés I find in Hollywood movies. At a certain point I had these huge folders, each one classified according to subject matter or genre: people with guns, people kissing, Indians and cowboys falling off horses, getting shot, getting shot with arrows - almost every plot device. Then I cropped the cheap, recycled imagery to give exhausted images new meaning, or at least something other than their original meaning. I'm basically reassembling atoms to give them a meaning that's more au courant.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
You look at today, it's a different situation. You have a game that has been transformed into a game where almost every shot is either an outside shot - a three-point shot - or a dunk.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
I'd like to be the role model to teach other people who have Down's syndrome to be actors and actresses and to be themselves and not try to be a big shot.
This site uses cookies to ensure you get the best experience. More info...
Got it!