A Quote by Louise Penny
I had to learn compassion. Had to learn what it felt like to hate, and to forgive and to love and be loved. And to lose people close to me. Had to feel deep loneliness and sorrow. And then I could write.
Related Quotes
I felt that everyone had the same sentiments when it came to love that I did. I felt like if you really cared for somebody, then that was it. It never occurred to me that people could lie about the way they felt about you. I had to learn that the hard way.
It was more important to me to understand what its like to be this Jewish kid who felt he was so different at such a young age. I feel the story is about a kid who came to hate through love, so I felt I had to learn why he loved this thing so much that he also apparently hated it.
I had to learn to forgive myself, not to judge, but to learn from the past. They showed me how vital it is to accept, be truthful, and love myself. So I could do the same with others.
But, finally, I had to open my eyes. I had to stop keeping secrets. The truth, thankfully, is insistent. What I saw then made action necessary. I had to see people for who they were. I had to understand why I made the choices I did. Why I had given them my loyalty. I had to make changed. I had to stop allowing love to be dangerous. I had to learn how to protect myself. But first… I had to look
Alone because love was one of those feelings that you could never have control of. And she needed to be in control. She had loved before, had been loved, had tasted what it was to dream, and had felt what it was to dance on air. She had also learned what it was to cruelly land back on the earth with a thud.
[Jorge Luis Borges] had short stories, and I was trying to learn how to write short stories, and then he had these things in the middle that were like fables, and I loved hearing fables.
When the pace of our feet matched perfectly, I felt a deep inner pang of satisfaction. I could have gone on walking like that forever, side by side with him. There had been few times in my life I had ever inhabited a moment so fully, with no loneliness lurking at the edges.
I had to learn that some people are just not going to like you. I had to have thick skin when I would see what people would say or write about me.
We had problems like all families but we had a lot of love. I was extremely loved. We always felt we had each other.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
I didn't know what hate felt like, not the hate that comes after love. It's huge and desperate and it longs to be proved wrong. And every day it's proved right it grows a little more monstrous. If the love was passion, the hate will be obsession. A need to see the once-loved weak and cowed beneath pity. Disgust is close and dignity is far away. The hate is not only for the once loved, it's for yourself too; how could you ever have loved this?
I could send myself right back to the day that I wrote "Angel Of The Morning," how it felt. I had a buzz through me that morning that was so powerful. I knew I had done something that meant something, because of that feeling. It wasn't a question of whether other people liked it ... I loved it. To me, it had to be one of the most important love stories of all time.
An example I love: Diwata auditioned for the school play by doing a big number from Once Upon A Mattress. I went home and my boyfriend plunked out the notes for me, and I had to learn and prepare that song just so I could learn and know how that feels. I've never had that kind of detail in a rehearsal process. Jason Moore is absolutely unbelievable.
No truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow. All we can do is see it through to the end and learn something from it, but what we learn will be no help in facing the next sorrow that comes to us without warning.
I'm a dancer. I used to dance. I'm not a stunt girl. I had to learn for 'Kingsman,' and I think the movie had an impact in that way where people saw me and thought I can do action. Which I can; I can learn.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.
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