A Quote by Louise Wilson
I was very successful at three-day events, point-to-points, Pony Club, and gymkhana. But then I went to college, and because I had really good horses, they weren't going to be left in the field, so they were sold.
Related Quotes
I've sold a lot of records. I've sold, like, 150 million records, and I don't think I've had that many good reviews. It's one of those things that when you're really successful, critics hate you just because you're successful.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
If you look at the Internet, the vast majority of start-ups are not successful. But the ones that are, are very very successful. So you can't point to the unsuccessful ones and say, 'There's no hope for this field.' It's just that they had the wrong idea or they had bad execution.
I definitely want to continue being an actress. I love it. The reason I'm going to college is because I do want knowledge in another field. College isn't the college experience for me. I'm not going to be in a sorority. I'm not going to network. I'm not even really going to make my lifelong friends.
I can honestly say from my experience, my family and I had to start from scratch. We left Venezuela back in 1998 and sold the few things we had to come to America in search of the American dream. We went through really tough times. There were moments where we were wondering are we going to make it.
Not all horses are going to be show jumpers, not all horses are going to be dressage horses. So you have to sort of find where the horse physically fits into what might suit him, but all horses can be comfortable and all horses can have good, solid fundamentals.
I got 'Munich' after I had done 'In Treatment' in Israel, which was very successful. But, when I actually shot it, nobody knew it was going to be sold all over the world and be so successful.
I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together.
I had one or two steady girlfriends in high school, but then in college, it was three, four... I went crazy. At one point I had three separate girlfriends, running around mad.
College radio is a very important medium that needs to survive in difficult economic times when some stations are being sold off and shut down. College radio is the future for broadcasting stars and pioneers of tomorrow, and we as a band, Coldplay, support the vital mission of college radio and we also support College Radio Day, the day when college radio comes together.
Spending time with the horses was also a good place to escape to if you were having a bad day, so it was good from a mental point of view.
I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
Unfortunately, this past birthday, my son was up the entire night before, very sick with that horrible - I think it was called the Norovirus or whatever the hell that was that was going around. So I got it. And then my husband [Paul Scheer] got it. We were both fighting it because he had planned this whole day for me, and we were both pretending it wasn't happening. We were literally driving ourselves to a massage and facial that he had planned and at one point, I was like, "I can't drive anymore. I need to get in the passenger's seat."
It was like an older but better version of Young Talent Time because we had more time to spend on it. There were three guys and three girls and we made thirteen episodes that were sold in the United States and Canada.
I had a paint pony called Half-Pint, and I rode her in Madison Square Garden, and that was my first big show. But my first real pony was this red pony called Chantal. He was absolutely amazing. He was a great pony, except he did spin me off a couple of times! I would blink, and then I would be on the floor.
Breakfast Club was great because we had a real rehearsal, and we shot primarily in sequence. I thought that was going to be how movies were done. I didn't really know how lucky we all were. We had a director that liked actors. I didn't know that was going to be rare.
Related Authors
Amos Bronson Alcott Quotes
American
Educator
Bill Nye Quotes
American
Educator
Cornel West Quotes
American
Educator
Dean Ornish Quotes
American
Educator
Horace Mann Quotes
American
Educator
Jeffrey R. Holland Quotes
American
Educator
Jon Kabat-Zinn Quotes
American
Educator
Lucy Maud Montgomery Quotes
Canadian
Educator
Maria Montessori Quotes
Italian
Educator
Michael Pollan Quotes
American
Educator
Paulo Freire Quotes
Brazilian
Educator
Peter Kreeft Quotes
American
Educator
Randy Pausch Quotes
American
Educator
Stephen Covey Quotes
American
Educator
Temple Grandin Quotes
American
Educator
Timothy Leary Quotes
American
Educator