A Quote by Louise Wilson

In fashion, you're privileged because you're consistently working with a vanguard of youth. — © Louise Wilson
In fashion, you're privileged because you're consistently working with a vanguard of youth.
It is as if, to every period of history, there corresponded a privileged age and a particular division of human life: "youth" is the privileged age of the seventeenth century, childhood of the nineteenth, adolescence of the twentieth.
Being at the vanguard of fashion in New York is magical.
I wasn't that into it or that knowledgeable of fashion until I started working on 'True Jackson.' I feel like it was my duty to learn more because people would feel that I should because I'm on the show. So definitely, that made me more involved with fashion, and now I'm a little fashion guru. It's totally out of control.
There has to be - you know, this is like what I think Americans really have trouble with, an economy that's working for the privileged few, and there those privileged few are getting special favors from the political elite.
We’re in the vanguard of a nameless battle, a battle without arms or bloodshed or glory: we’re in the vanguard of waiting.
The idea that musicians should be talking about politics is, in some ways, quite a sixties' idea. Music no longer has a vanguard role in youth culture.
I'm a privileged person, I feel privileged because of who I am. I write books, I write novels, I write essays and I teach and I go from university to university. I'm one of the old, but I still go around, but I only see those who are not like that, I don't see the junk youth. I only meet students, and even those who are not formally at the university, if they come to listen to me, they come to read me, it means they are not junk students.
It's my motor, it's the thing that keeps me going and so when I have these auditions for these big movies, I can depend on myself because I've been working consistently.
There are some really good experiments with the youth offending service, joining up youth offending teams with the youth justice board, and good local authority and primary care trusts working together.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
I actually consider myself as totally privileged to be able to serve science and medicine in a global fashion, because science and medicine know no boundaries.
This fighting-shy of every obligation partly explains the phenomenon, half ridiculous, half disgraceful, Of the setting-up in our days of the platform of "youth" as youth. ... In comic fashion people call themselves "young," because they have heard that youth has more rights than obligations, since it can put off the fulfilment of these latter to the Greek Kalends of maturity. ...[T]he astounding thing at present is that these take it as an effective right precisely in order to claim for themselves all those other rights which only belong to the man who has already done something.
Fashion embraces the weirdos. They're into that. There are always young people that people in fashion are interested in. You know, youth and vitality and energy - it brings something different.
My favourite holdings are Vanguard's Wellington Fund, a balanced mutual fund which is a legacy investment from my first career at Wellington Management Co., and the Vanguard 500 Index Fund.
You can't be consistently fair, consistently generous, consistently just, or consistently merciful. You can be anything erratically, but to be that thing time after time after time, you have to have courage.
You know, I was really privileged to meet Woody Allen, who is now a filmmaker, let's be honest. He's also an actor. And he's classic. And because I have no conception of what classic fashion is now, I respond to his slightly outdated sensibilities.
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