A Quote by Lourdes Leon
Being in the wardrobe department meant me and a few other girls dressed the dancers during the show when they had quick changes. Thirty seconds to totally dress a sweaty dancer can be insane and provoke mucho anxiety. Doing this night after night was pretty cray, but I loved every minute of it.
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About a year after I moved to Los Angeles, I decided I wanted to be a joke writer for a late night talk show. So I met with a late night joke writer and he told me that I should start by doing stand-up comedy, because that would really hone my sense of humor and joke writing ability. Eventually I took a stand-up class and a few months later I had a seven-minute act.
I wish I had a really cool, esoteric answer, but what the process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
One night in Tokyo we watched two Japanese businessmen saying good-night to each other after what had clearly been a long night of drinking, a major participant sport in Japan. These men were totally snockered, having reached the stage of inebriation wherein every air molecule that struck caused them to wobble slightly, but they still managed to behave more formally than Americans do at funerals.
I do a meet and greet after every show in which I tell the audience that I would love to thank every single one of them for coming. Which a lot of people take me up on! So I get to meet hundreds and hundreds of people every night, night after night.
My wife had a go at me last night. She said, Youll drive me to my grave. I had the car out in thirty seconds.
I have a night off on Halloween. It's Halloween for me every night. Let everybody else be Ozzy for the night. People go out dressed as me.
You have to imagine - for those who are good dancers, maybe they don't have to train as much - but for me at least, not being a very good dancer you have to hit the reset button every week and come in on Tuesday, the day after the live show, and start all over and learn a whole new dance with a whole new set of emphasis. Some weeks, you want to have body doing one thing. The next week, it's a totally different thing. You always have to relearn everything on a weekly basis and it takes a lot of work mentally and physically.
I used to have this superstition where I had to eat steak every night before I played, and my nutritionist told me don't do that. So after I lost that one, the other ones fell off pretty quickly.
Once when I was cooking I burned my arm with scalding water. I went to the Emergency Room of the Hospital. When the doctor came in he looked at me and looked at my chart, and looked at me and looked at my chart, then looked at me again and said, "I loved your show!" He told me that when he was doing his internship he would come home every night stressed out, but he would watch a late night rerun of the Andy Griffith Show and relax and fall asleep. He said, "I wouldn't be a doctor, if it wasn't for the Andy Griffith Show".
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
If you're dreaming of being a great soloist, walking on stage, receiving ovations night after night, having money thrown at you, girls chasing after you and your beautiful picture - that's wonderful. But what exactly does that have to do with the practice of music?
It took forever for me to get work because I was a political comic, and now it's become good business, and God knows how long that'll last. You have to do it night after night after night to kind of make it. I still find myself on 'Piers Morgan' or on some show and I think, 'I hope this is funny.'
For the past several years, I have gone to sleep every night in this same little pocket, the most uneventful piece of time I could find. Same exact thing every night, night after night. Total silence. Absolutely nothing. That's why I chose it. I know for a fact nothing bad can happen to me in here.
Theater is such its own living, breathing animal. You do a show every night, but it's different every night. Being on stage, you're experiencing a journey.
I loved Riot Grrl. Not only was it a punk rock revolution, but it meant you could get dressed for a night out for less than two pounds!
I think that being read to every night is the reason why I was plowing through volume after volume of 'Nancy Drew' books all by myself by the time I reached the first grade. I loved stories. I loved the escape. I had a vivid imagination.
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