A Quote by Lourdes Portillo

I've done experimental work, I've done real conventional documentaries that were very successful, like Las Madres that was nominated for an Academy Award. And, from that moment on I felt like, "Okay, I can make that. Now where am I going to go?"
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, 'Academy Award winner so-and-so.'
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, "Academy Award winner so-and-so."
Though I was nominated for awards for films like 'Tezaab' and 'Apna Sapna Money Money' but I never won an award. Now I am not even nominated for any awards but still I attend the award functions as I love being there despite figuring prominently in a lot of leg pulling that goes around in the award ceremonies.
I got the 'Stranger Things' script, like, a week before NBC canceled 'State of Affairs.' I really had this moment where I'm like, 'I'm done.' My neuroses is very sophisticated: I was like, 'I am done. Hollywood is done with David Harbour. They are finished.'
Before 'Titanic,' yes, I had done some things and, yes, I had been nominated for an Academy Award, but I had never been sort of world-famous. And I suppose, yes, I am really famous now. But I feel embarrassed to say that because it's just a bit daft for me.
A new kind of award has been added -- the deathbed award. It is not an award of any kind. Either the recipient has not acted at all, or was not nominated, or did not win the award the last few times around. It is intended to relieve the guilty conscience of the Academy members and save face in front of the public. The Academy has the horrible taste to have a star, choking with emotion, present this deathbed award so that there can be no doubt in anybody's mind why the award is so hurriedly given. Lucky is the actor who is too sick to watch the proceedings on television.
I don't do enough movies that I can call it a career. It really is sort of like summer jobs or something like that. It's very much like holiday work as far as, okay, I do it, and I'm there for two weeks and hopefully am working really hard, and then it's done, and I kind of go back to what I was doing before.
I had a period when I was sixteen where I started to get a big head. I was going through puberty, and I was nominated for an Academy Award. My head got inflated. My friends were the real ones who said, 'You're acting different.' But the truth is that I don't need that, because I don't get out of hand.
'Spamalot' was a blip! I've never done anything else like that, and yet it's the only time I've ever been nominated for an Olivier award!
It was amazing to be nominated by the Academy who saw fit for me to be nominated for best supporting actor. The Critic's choice award was wonderful. I'm on cloud nine.
I always work on the songs all together up until the very end. I never mix a song and think, "Okay, now that one's done." I think that's why it feels like songs are really connected, and I like that. They're all worked on kind of like a little family.
I'm awkward at these things. Just being nominated for an Academy Award for Best Supporting Actor for Karate Kid was a real surprise and I was a little uncomfortable.
In my mind at that time, at 14, the men who were successful were Stallone and Schwarzenegger and guys like that - Harrison Ford - who were these men of action. I was like, "Okay, they're successful, they're not getting evicted, they built their bodies - I'm gonna go build my body." It was like that.
Television has its own award. It's called the Emmy. It's a good award. I like it. I have one. But you don't see movies like 'The King's Speech' win Oscars and then go to TV and qualify for Emmys. In documentaries, some networks have been able to game the system.
Critics can say what they like about the films, but very often, there's a certain expectation of documentaries that they're supposed to be like PowerPoint presentations. I see documentaries as movies. So when I see some critics writing that we could have done without the recreations altogether - well, perhaps.
The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
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