A Quote by Lowkey

The biggest looters are the British Museum. — © Lowkey
The biggest looters are the British Museum.
It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
The British Museum was our first real museum, the property of the public rather than the monarch or the church.
My favourite museum is the British Museum.
If there was a little room somewhere in the British Museum that contained only about twenty exhibits and good lighting, easy chairs, and a notice imploring you to smoke, I believe I should become a museum man.
I remember sitting in front of the British Museum and having a moment - an epiphany, I guess - that I just had to live here. And now that I have grown to understand the British sense of humour here, I love the culture, too.
When it is established that government by right can take wealth from some and give it to others. When a society establishes criminals-by-right and looters-by-law, men will use force to seize the wealth of disarmed victims. Such looters believe it safe to rob defenseless men, once they have passed a law to disarm them. But their loot becomes the magnet for other looters, who get it from them as they got it. Then the race goes, not to the ablest at production, but to those most ruthless at brutality. When force is the standard, the murderer wins over the pickpocket.
I left Kurdistan in April 2003 with the peshmerga, following their excited advance as Saddam's forces crumbled. First Kirkuk, then Mosul - where looters broke into the city museum and seized its Parthian sculptures - then Tikrit. I reported from Baghdad in month-long stints until the end of 2004.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
I think I was eight the first time I saw the Benin bronzes. I was taken to see them at the British Museum by my white, British mother, who felt it important that her half-Nigerian children learned about the artistic achievements of their forefathers. I've been entranced by them ever since.
This is not a museum of tragedy. It is not the museum of difficult moments. It is the museum that says -here is a balanced history of America that allows us to cry and smile.
To look at and properly appreciate the British Museum is the work of a lifetime.
If people don't like Marxism, they should blame the British Museum.
I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
The British Museum is great for seeing how excellent we were at stealing things.
I know Im British. I havent spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasnt British, what would I be? I am British.
I know I'm British. I haven't spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasn't British, what would I be? I am British.
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