A Quote by LP

I'm a songwriter-singer. I'm very vocal oriented, of course, but songwriting - no matter whether it's for myself or another artist - is of paramount importance to it all.
I think Americana music is music that is generally more singer/songwriter oriented. It has more to do with the songwriting. The music, it's more like stories set to music.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
I always saw myself as a singer-songwriter, a solo-artist, that's why working with other artists was never satisfying for me.
To be a songwriter-singer means the songs come from deep within, and you treat them as an artist, with that much respect. I couldn't hardly cheat myself.
For my whole career, I've been a singer-slash-songwriter, even though I'm very thankfully known for my voice. Songwriting has always been a joy in my life, and to be recognized for it is extremely validating.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
I just want to make a beautiful film. I've had it in my head for so long, so I want to try. Every now and again I get scared. And that's not really how I operate in songwriting or as Sia the artist, the singer. I don't operate from a place of fear. But this is such a new area for me. I still have some insecurity. So, like, once a week I get washed from the top of my skull down to my toes with this vomitous feeling of fear. I think, "Just don't do it. You don't have to do it. You're already a singer and a songwriter. Really, you don't have to make a movie.".
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
I think of myself as a producer who tries to bring the best out of everyone, whether that be an artist, songwriter or a publicist.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.
As a solo artist, it's so easy to be lumped into a singer / songwriter genre and writing sleepy, sad songs that are very emotionally rich that mean a lot to you, and people just get kind of tired.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
This site uses cookies to ensure you get the best experience. More info...
Got it!