Most of the films I myself like don't do very well. Every director, he has a choice, whether to go for subtlety and try to articulate every minute detail, or to go for the broad strokes and hope that the people will fill in between the lines. I tend to go for the broader strokes.
I always want to make Strokes records and play Strokes shows.
When you work in Kenyan politics, or politics in a lot of African countries, if a deal goes wrong you can pay for it. When you work for senior politicians in a lot of these countries you don't actually make money in the electoral work, you make money in the influence brokering after that.
What is invaluable about Angela Davis work is that she does not limit her politics to issues removed from broader social considerations, but connects every aspect of her scholarship and public interventions to what the contours of a truly democratic society might look like.
What is invaluable about Angela Davis' work is that she does not limit her politics to issues removed from broader social considerations, but connects every aspect of her scholarship and public interventions to what the contours of a truly democratic society might look like.
It's valid that the Strokes and the Pleased have been influenced by some of the same bands. But it's invalid in the sense that we listen to the Strokes and try to sounds like them. I think that they are a good band.
A lot of victims, for example, have become addicted to alcohol and drugs. It seems to me that the church's healing ministry is going to be enhanced through this in much broader strokes. That's good, it's all positive.
I wanted the feel in these books to be like an epic fantasy, with kings, queens, dukes and court politics, but of course like what I was explaining before, about making the science make sense, you have to make the politics make sense, too.
Politics is not predictions and politics is not observations. Politics is what we do. Politics is what we do, politics is what we create, by what we work for, by what we hope for and what we dare to imagine.
I would like to work with Paul McCartney in the future. Or Brian Seltzer. But I guess like, like I said - I'm into The Strokes, like Ben Folds, Eliot Smith, the Beatles are my favorite, the Beach Boys, Queen.
The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.
The Strokes can play anything. They could play 'Thriller,' and it would just sound like 'Thriller' as played by the Strokes.
My process of working is not really that unique. I like to paint during the day, and block out large chunks of time with which to work. I prefer to work on a painting in a few swift passes, and not fuss over it. I think that the work needs to have an energy to it that can't be accomplished if one is adding a few strokes everyday. Once a piece is done, I don't work on it anymore. I hate fussy.
Writing is not a series of strokes, but space, divided into characteristic shapes by strokes.
A small minority of strokes are hemorrhagic strokes, which are caused by bleeding into the brain when a blood vessel bursts.
I wish I could create an IMAX film that would make my work accessible to a broader audience.