A Quote by Luc Delahaye
If an image is powerful enough, if it resists us, if, by its obscure coherence, part of it escapes our understanding, then it means that something has been won from reality.
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That reality is 'independent' means that there is something in every experience that escapes our arbitrary control. If it be a sensible experience it coerces our attention; if a sequence, we cannot invert it; if we compare two terms we can come to only one result. There is a push, an urgency, within our very experience, against which we are on the whole powerless, and which drives us in a direction that is the destiny of our belief.
No man at bottom means injustice; it is always for some obscure distorted image of a right that he contends: an obscure image diffracted, exaggerated, in the wonderfulest way by natural dimness and selfishness; getting tenfold more diffracted by exasperation of contest, till at length it become all but irrecognis-able.
Whether that coherence obtains universally is a question that need not be answered here since only those parts where the coherence has actually been found become part of Science.
Blood is very powerful. While meat is the substance that keeps our living souls in this physical reality, blood keeps our meat alive. Blood is liquid life. When blood escapes our bodies we are alarmed to the very core of our brains. It is life leaking out of us. It is frightening and makes red a profoundly intense color.
When we have an understanding that the Lord is all powerful, then we know that we need to trust Him each and every day. This understanding allows us to lay our worries in the Lord's hands. In return, we can focus everything that we do into glorifying Jesus.
I wouldn't say that The Fabric of the Cosmos is a book on cosmology. Cosmology certainly plays a big part, but the major theme is our ever-evolving understanding of space and time, and what it all means for our sense of reality.
I wouldn't say that 'The Fabric of the Cosmos' is a book on cosmology. Cosmology certainly plays a big part, but the major theme is our ever-evolving understanding of space and time, and what it all means for our sense of reality.
To seize the flying thought before it escapes us is our only touch with reality.
The least livable life is the one without coherence-nothing connects, nothing means anything. Stories make connections. They allow us to see our past, our present, and our future as interrelated and purposeful.... The stories we value most reassure us that life is worth the pain, that meaning is not an illusion, and that others share our experience with us.
In recent years my understanding of God had evolved into increasingly remote abstractions. I'd come to think of God in terms like Divine Reality, the Absolute, or the One who holds us in being. I do believe that God is beyond any form and image, but it has grown clear to me that I need an image in order to relate. I need an image in order to carry on an intimate conversation with what is so vast, amorphous, mysterious, and holy that it becomes ungraspable. I mean, really, how to you become intimate with Divine Reality? Or the Absolute?
Over the course of time this gave us a deep respect for ideas, both our own and those of others, and an understanding that conflict through debate is a powerful means of revealing truth.
We are never without our technology. It surrounds us. It permeates our lives. We have powerful computers in our pockets, and we have been - you know, we are training our children from the youngest age to use social media, so it's something that comes very naturally to us.
Although much remains obscure, and will long remain obscure, ... I am convinced that Natural Selection has been the main but not exclusive means of modification.
To make images is a way of ordering one's world, of exploring and understanding one's relationship to existence. ... The images we make are often ahead of our understanding, but to say "yes" to a subject is also to have recognized, however dimly, a part of oneself; to live with that image, to accept its significance is perhaps to grow in understanding.
The idea of eternity lives in all of us. We thirst to live in a belief which raises our small personality to a higher coherence - a coherence which is human and yet superhuman, absolute and yet steadily growing and developing, ideal and yet real.
... what is faked [by the computerization of image-making], of course, is not reality, but photographic reality, reality as seen by the camera lens. In other words, what computer graphics have (almost) achieved is not realism, but rather only photorealism - the ability to fake not our perceptual and bodily experience of reality but only its photographic image.
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