A Quote by Luc Ferrari

I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s. — © Luc Ferrari
I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
I'm a real big electronic music nut; when I was young I listened to musique concrète, German music from Cologne in the early 50s, all kinds of stuff.
I wanted to find a bridge between Musique Concrete, electro-acoustic music, and proper rock music.
I was greatly influenced by musique concrete when I was, like, 10. I was completely mesmerized by the idea that you could make music out of sounds. So that's been a constant influence on all my work.
The first win was racing my Late Model at Myrtle Beach. It was twin 50s. We'd usually run a 100-lap feature, but it rained the week before, so they split the next weekend in half and made twin 50s. And I won the first one.
It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.
I liked wearing the '50s wardrobe. It was hard in the beginning. The first shows I wore regular young girl dresses. Then a little later I got to wear the poodle skirts and such.
Talking about the all night concerts, I did some of the first all night concerts back in the 60's with this little harmonium, and I also had saxophone taped delays.
It is easier to compare concrete things in a fictional story with concrete things in real life than it is to compare abstractions with concrete things in real life (though both are honorable and necessary things to do).
In the '50s, too many women, even though they were very smart, they tried to make the man feel that he was brainier. It was a sad thing.
I have very eclectic taste in music, but when it comes to going to concerts, I like going to rock concerts.
Well, the big products in electronics in the '50s were radio and television. The first big computers were just beginning to come in and represented the most logical market for us to work in.
I do still see that my nature is not to be quite conquered, but will esteem pleasure above all things, though yet in the middle of it, it has reluctances after my business, which is neglected by my following my pleasure. However musique and women I cannot but give way to, whatever my business is.
That's very hard because there's three of them that mean a LOT to me equally. 'Lissie's Heart Murmur' was one of the first songs that we ever wrote - it was one of the first songs, at the very very very beginning of our band and I've always wanted to see and hear that song recorded and turned into something and it finally was and is!
Pop concerts create an audience for Pops concerts, not an audience for classical symphonic concerts.
The very first law in advertising is to avoid the concrete promise and cultivate the delightfully vague.
I love the Hunger Games books. Certainly, the fans are there. They're grown enormously since the beginning. When I first brought the books to Lionsgate, they had sold about 150,000 copies, which is a very good result for a YA book. And to their credit, Lionsgate was very excited and committed to the movie, from the beginning.
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