A Quote by Luc Montagnier

It's easier to learn things for life by the age of 12 and not the age of 18. This is just my guess. — © Luc Montagnier
It's easier to learn things for life by the age of 12 and not the age of 18. This is just my guess.
We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
I got really lucky that at age 12, I knew I just wanted to be a dancing monkey in front of people and entertain them, or try to. It's amazing that at age 12 I realized what a needy life I was gonna have.
The "18/40/60" rule to happiness: At age 18, people care very much about what others think of them. By age 40, they learn not to worry what others think. By age 60, they figure out that no one was thinking about them in the first place.
It's easier to learn things at a younger age.
I entered the industry at very young age, and I was like any normal girl at the age of 17 or 18. At that age, most girls are a little plump.
Girls around the age of 14 to 18 are deciding who they are and exploring relationships, they're ready to take charge of their life. Boys aren't as confident at that age. They want music that deals with their emotions for them.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
We believe we're moving out of the Ice Age, the Iron Age, the Industrial Age, the Information Age, to the participation age. You get on the Net and you do stuff. You IM (instant message), you blog, you take pictures, you publish, you podcast, you transact, you distance learn, you telemedicine. You are participating on the Internet, not just viewing stuff. We build the infrastructure that goes in the data center that facilitates the participation age. We build that big friggin' Webtone switch. It has security, directory, identity, privacy, storage, compute, the whole Web services stack.
I started to read at a very early age, and I just thought that books and reading were really the most wonderful thing that life had to offer. I think I wrote my very first piece of fiction at the age of 12, but then I didn't write any more for quite a long time.
I don't look my age, I don't feel my age and I don't act my age. To me age is just a number.
There is a connection, hard to explain logically but easy to feel, between achievement in public life and progress in the arts. The age of Pericles was also the age of Phidias. The age of Lorenzo de Medici was also the age of Leonardo da Vinci. The age of Elizabeth was also the age of Shakespeare. And the New Frontier for which I campaign in public life, can also be a New Frontier for American art.
When I was a kid, I wrote music - from the age of 11 until the age of 18.
At the age of 18 all young poets are sure they will be dead at 21 - of old age.
I was really excited because I had never ever in my life done anything like this [Romeo + Juliette], and at such a young age it was like, "Wow, my dreams are coming true, I'm already in a movie at the age of 12."
In today's day and age, where so many kids are taught to specialize so early, I want to show them you don't have to - at a young age, high school age, college age and hopefully a professional age.
I was lucky, from the age of 12 I had boxing talent and was good for my age.
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