A Quote by Luc Tuymans

An artwork should point in more than one direction, not be this sort of placating, self-demonstrating, witnessing element. — © Luc Tuymans
An artwork should point in more than one direction, not be this sort of placating, self-demonstrating, witnessing element.
The sort of formality that goes into my artwork I would not expect from everybody in the world. I'm sort of pushing that point to its limit, in my mind, but I think there's absolutely nothing wrong with using a laptop so long as we have some understanding of how it works a little bit.
I guess my feeling is that if you’re going to make a joke, that’s fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you’re trying to make.
I guess my feeling is is that if you're going to make a joke, that's fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you're trying to make.
Rather than a teaching tool, I think a novel is more of a witnessing entity. A witnessing entity? What is that? I just want the reader to step in and experience it as a story.
There is a certain point of unity within the self, and between the self and its world, certain complicity and magnetic mating, a certain harmony, that conscious mind and will cannot direct. Perhaps analysis and the separate mastery of each element are required before the instincts are ready to assume command, but only at first. Command by instinct is swifter, subtler, deeper, more accurate, more in touch with reality than command by conscious mind. The discovery takes one's breath away.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
There is a long list of psychology research demonstrating that appearances matter more than most us would care to admit. As shallow as it may be, better-looking people have been shown in various studies to have higher self-esteem and more charisma, are considered more trustworthy and are better negotiators.
Our enemies, like the Grecian hero, have one vulnerable point. You have not touched it yet. What should have been their element of weakness has been suffered to remain an element of strength.
There's so much more work that goes into developing a makeup line than one would imagine. Personally, I like to be involved in the entire creative process - everything from art direction, collection concepts, formula testing, packaging artwork, to naming the shades and also the marketing side of things.
Surprisingly, it's forgiveness, not guilt, that increases accountability. Researchers have found that taking a self-compassionate point of view on a personal failure makes people more likely to take personal responsibility for the failure than when they take a self-critical point of view. They also are more willing to receive feedback and advice from others, and more likely to learn from the experience.
Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival. Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity: it is part of our refusal of the self-destructiveness of male-dominated society.
I feel like the more serious a life event is that you share on social media, the more ridiculous it sort of becomes, the more you sort of self-trivialize.
What’s the point of opening yourself up to your friends if they don’t notice you in your vulnerable state? The point of it all is to love friends completely and utterly, at their best and worst, and to love more than just the good things. It’s about showing that you’re willing to accept them for whatever they are, that they should not feel insecure or self-conscious in your presence, which can be a hard task to achieve.
My real self is probably more creative and more frightening than any sort of drink or drug-induced state.
The more clearly we recognize how deep our commitment to self-protection operates in our relational style and the more courageously we face the ugliness of protecting ourselves rather than loving others, the more we'll shift our direction.
Most creativity is a transition from one context into another where things are more surprising. There’s an element of surprise, and especially in science, there is often laughter that goes along with the "Aha." Art also has this element. Our job is to remind us that there are more contexts than the one that we’re in - the one that we think is reality.
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