A Quote by Luca Cordero di Montezemolo

Certainly, old age is often incompatible with certain roles and responsibilities. — © Luca Cordero di Montezemolo
Certainly, old age is often incompatible with certain roles and responsibilities.
There aren't a lot of roles in comedy for women of a certain age to play, especially with a 22-year-old.
I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.
You get to a certain age and you're just glad to be there. I don't know what to add to that. It's fun. You have to be a realist, so you try to look for roles that are within the age you are.
A person who is inherently and intuitively curious is often intellectually and distinctly very serious towards his roles and responsibilities in life.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
Around age 38, there was a slight change to my voice, and very much in the center. That made it possible to start thinking about certain roles: Guillaume Tell, Romeo, Edgardo. These roles require a fuller center.
Well, we certainly need to raise the retirement age. I've told my 19-year-old and my 22-year-old that they're not going to be getting retirement benefits at age 62.
As for certain lesser faults, we must believe that, before the Final Judgment, there is a purifying fire. He who is truth says that whoever utters blasphemy against the Holy Spirit will be pardoned neither in this age nor in the age to come. From this sentence, we understand that certain offenses can be forgiven in this age, but certain others in the age to come.
As an artist and as a Black woman coming out of a background that emphasizes service, there are certain responsibilities that I must assume. I see these responsibilities not as a burden, but as an extension of what I am.
Old age is a disease from which there is no recovery but the old nun's recent attack had certainly been brought on chiefly by the fatigue of so much travelling.
Once a heroine is beyond a certain age, she has to graduate to mother's roles or quit.
The fear of old age disturbs us, yet we are not certain of becoming old.
Playing character roles gives me the freedom to try out different roles, including negative ones or elderly ones. When one is playing the lead role, clearly there are limitations and responsibilities.
Dressing up is a bore. At a certain age, you decorate yourself to attract the opposite sex, and at a certain age, I did that. But I'm past that age.
Whoever lives for poetry must read everything. How often has the light of a new idea sprung for me from a simple brochure! When one allows himself to be animated by new images, he discovers iridescence in the images of old books. Poetic ages unite in a living memory. The new age awakens the old. The old age comes to live again in the new. Poetry is never as unified as when it diversifies.
It's a very Aboriginal thing to do, to give younger people greater responsibilities within the community as they become able to take those responsibilities on. It is a culturally appropriate transfer of roles that involves respect in both directions.. from the younger to the older and the older to the younger.
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