A Quote by Lucas Cruikshank

My dream job is definitely to be an actor/director/writer, all three. — © Lucas Cruikshank
My dream job is definitely to be an actor/director/writer, all three.
My job as an actor has inspired generations of children to become doctors. My job as a writer has opened up the minds of millions. My job as a director has produced masterpieces that will be taught in film school for ages.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
The dream, I think, with any project is it starts with an idea, and then somebody writes it, and the writer hopes that a director comes on and makes this piece of material visual, and both the director and writer hope that they can have actors come in and bring something to it that neither one of them expected, elevating it along the way.
I am a director's actor. It is a director's medium, definitely. That doesn't mean I stop using my head.
You do actor's job for intense scenes like this - you dream about them - and you get scared until the day it finally happens. But when you feel safe with your partners, the crew, and your director who all did a wonderful job, you get into the zone quickly.
I'm not particularly fond of the hybrid writer-director or actor-director.
Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally. So I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run. The next day, the dream will continue.
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
Being an actor is definitely not the hardest job in the world - it's definitely a first-world problem to have, but I'm not very good with rejection. I constantly question whether or not I'm suited for this business, because it is your job to get rejected.
A good writer takes time to go in-depth into a subject and then comes out with a good script. Then it's the job of the actor and director to improvise with it and make it even better.
As far as a job, actors get treated a lot better than writers so I definitely prefer acting. A writer has to make his own coffee and an actor has somebody bring them coffee.
As an actor, director or writer you never want to be doing one thing. To show that diversity and be able to do more than one thing, and to play different characters, is part of the job that I'm supposed to do. Hopefully, I can continue doing that.
If I have enough ego to say I'm a writer, a director, a producer, and an actor, I should have the energy and the knowledge to write a scene for this great actor named Henry Fonda and direct him in it and have it work.
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